レナード・バーンスタイン　アット・ハーバード〜1973年ハーバード大学での「ノートン講義」の音声記録（13CD）

01． First of All 2:01

02． Perhaps the Principal Thing 1:39

03． Let Me Start 0:53

04． This is Not Just a Sentimental Anecdote 1:52

05． From this Time 2:29

06． But How do we Investigate 2:52

07． Now You Can See 1:29

08． Universality is a Big Word 2:31

09． Other Linguists 2:46

10． I Began by Imagining Myself 2:12

11． Well, Then I Thought 2:06

12． Let's Make a Simple Analogy 2:03

13． Maybe Even a Divine One 1:33

14． But Where do these Notes Come from? 2:22

15． This Acoustical Phenomenon 2:08

16． All These Upper Notes 1:52

17． The First Overtone 2:33

18． But More of that Later 1:56

19． But Let's Not Make the Mistake 2:21

20． And that's how the Tempered Clavichord 2:12

21． Now this is a Substantive Universal 2:01

01． But Let's be Careful 1:43

02． And there is Always that Blue Note 1:30

03． But Even these Twelve Tones 1:57

04． I Trust You Realize 2:16

05． And Again Comes a Great Leap 2:32

06． Now this Means 1:38

07． This Is Not to Say that There Were No Drastic Changes 2:28

08． But Meanwhile we are Still in the Golden Age 2:55

09． So, we're in the Midst of a Chromatic Adventure 1:28

10． And All by Those Progressions 1:34

11． Now, I Must Point Out 1:57

12． Do you Realize 1:34

13． I. Allegro molto 8:18

14． II. Andante 8:31

15． III. Menuetto, Allegretto 4:36

16． IV. Finale. Allegro assai 6:08

01． Every Once in a While 1:44

02． Last Week 2:24

03． Amen, says Noam Chomsky 2:09

04． I Suppose What Chomsky is Really After 2:49

05． So, Let's Pull Up Our Socks 1:36

06． All Right, Let's Try Another One 2:08

07． Why I Taking Your Time 2:11

08． Well Then 1:48

09． I Think it Follows 1:52

10． But First, What are These Principles 1:49

11． Tranformational Grammar 1:36

12． But Now Just Think of that Sentence 1:02

13． Since this is not a Linguistics Class 1:49

14． Take the Passive Transformation 1:51

15． Well, it hasn't Brought us There 1:51

16． Good - Now Just as Three Notes are Linked Together 1:44

17． Now let's Go Back 1:49

18． Now We Are Ready 2:27

19． Now I Wanna Take You 2:05

20． Well, Transformation, Deletion, Embedding, Pronominalization 1:49

21． I Sure I Don't Have to Trouble 2:16

22． Here I Go 1:30

23． I Have Asked Myself 1:55

24． I Became so Fascinated 1:42

01． Let's Take one Such Utterance 2:00

02． Now Imagine 1:29

03． Now Let's See 2:32

04． Mozart's G Minor Symphony 1:21

05． Now Our Job is 2:27

06． That Introductory Accompaniment 1:26

07． What Does this Three-Note Design Mean 1:55

08． The Reason I Pick Symmetry 2:13

09． Now From Here On 2:04

10． And Once Again, We Are Back 1:10

11． By Far the Chief Transformational Principle 1:42

12． You See, One of the Great Failings 1:58

13． Most People Hearing Mozart's Opening 1:46

14． So What Your Ask 1:59

15． And if You are Still not Convinced 2:32

16． Thesebiguities 1:20

17． For Instance, in this Same First Movement 1:59

18． So All these Syntactic Transformations of the Same Material 1:14

19． He Talks About this Sonnet 1:55

20． Because Now it's Time 1:35

21． But Now Let's Listen to 2:09

22． Listen to the Whole Exposition 2:03

23． Development Coming Up 2:08

24． The Circle of Fifths Again 2:02

25． And That Was all One Single Sentence 1:18

01． The Other Day 2:37

02． The First Would Show Us One Meaning 1:13

03． Think of this Famous Passage 2:23

04． A Linguist Would Say 1:52

05． Well, I Replied, Chomsky Would Say 2:06

06． Of Course, That Last Metaphorical Leap 1:50

07． Terrific, Said My Blonde Inquisitor 1:44

08． In Fact, When You Think of the Number 2:16

09． All Right, First Let's Look Briefly 2:41

10． Playing, That's the Word 1:48

11． But Does This Stravinskian Game Concept 2:31

12． There Are Three Specific Ways 2:03

13． Now, Having Defined My Usages of Metaphor 1:59

14． And Here We Are in Trouble 1:06

15． Are We Feeling What Beethoven Supposedly Felt 1:45

16． We Will Never Know 2:22

17． Now, If We Accept This General Idea 1:40

18． In Our Last Lecture 1:47

19． We All Recognize Antithesis 1:46

20． It Can And It Does 1:24

21． And Again, as in the Poem 2:14

22． In Fact, it Has Been Authoritatively Suggested 2:45

23． We Can Expand the Idea 2:52

24． What Do You Suppose 2:51

25． What' Seriously Striking 2:16

26． So Why the Pastorale on this Lecture 2:42

27． Let's Begin at the Beginning 1:41

28． But What of the More Obvious Melodic Material 1:48

29． But to Develop How 2:37

30． Now We Have an Insight 2:13

31． But Wait 1:52

32． But Why Were Just Those Two Notes Added 2:05

01． The Metaphor Arises 2:48

02． But in the Ensuing Four Bars 2:11

03． But That's Not the Main Event 2:04

04． Well, That's the Beginning 1:58

05． That's One of the Questions 2:00

06． This Interference of the Two Frequencies 2:04

07． But What Are We to Say 1:40

08． It Is To Be Found 1:39

09． Now That's One Way of Looking 2:03

10． At This Point 1:36

11． Even if You Can Succeed 2:42

12． I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo 11:05

13． II. Scene Bach. Andante molto moto 13:42

14． III. Lustiges Zusammensein der Landleute. Allegro 5:27

15． IV. Gewitter. Sturm. Allegro 3:43

16． V. Hirtengesang. Frohe und dankbare Gefhle nach dem Sturm. Allegretto 10:13

01． When I First Wrote Down the Title 1:41

02． Part of the Danger 2:02

03． The Idea ofbiguity 1:32

04． Similarly, in Our Second Lecture 2:05

05． Then What's the Magic Secret 2:53

06． Enough ofbiguity 1:52

07． The Irony of All This 2:07

08． But, Mind You 1:53

09． Where Music Was Concerned 1:29

10． Only Think Of 1:58

11． And Chopin Well We Can't Ignore Chopin 2:53

12． And Then, in The Same Little Mazurka 1:57

13． Foolish Questions 1:33

14． Let Me Try to Read You 1:56

15． Listen To This 1:45

16． They Began to Intermingle 1:30

17． The Pivotal Point 1:39

18． So There Is a Dramatic Change 1:50

19． So it is After All Not So Surprising 2:31

20． Now If You Noticed 1:40

21． You See, the Music Is Trying Hard 1:44

22． So That Instant in Musical Time 1:33

23． Now Romeo Is All Stirred Up 3:00

24． . Romeo Seul Tristesse - Bruits de Concerts et de Bal - Grand Fete chez Capulet Andante malinconico e sostenuto 4:28

25． Allegro - Larghetto espressivo - (Instrumental) 1:57

26． Allegro - (Instrumental) 2:22

27． Reunion des duex Themes, du Larghetto et de l'Allegro (Instrumental) 3:42

28． What a Piece 2:30

29． Quite Unconsciously Borrowed 1:50

30． My Purpose In All This 2:25

31． Is It, Says Wagner 2:16

01． Every Diminished Seventh Chord 1:23

02． Now the Remarkable Thing Is 2:54

03． And This Is What Gives Tristan 2:53

04． Prelude and Love-Death (From 'Tristan and Isolde') 19:03

05． :00:00 PM

06． That May be the Slowest Performance 2:26

07． But Ultimately 1:38

08． Poetry Has Begun to Show 1:40

09． And When Debussy 1:37

10． It's Lovely, This Dreaming 2:35

11． For Example, Do You Remember 1:45

12． In Fact, the Ending of this Piece 1:17

13． Let Me Show You Briefly 2:07

14． This New Episode that Proceeds 1:24

15． For Instance, Hardly Have We Had Time 2:29

16． Because the Scale 1:53

17． It's Almost Exactly What Happens 1:51

18． Literally Translated 1:35

19． But Notice, Too, that the Example 1:34

20． Both Works Have Definitive Beginnings 1:32

21． Listen As I Play 1:49

22． Prelude a l'apres-midi d'un faune, L. - Remastered 10:24

23． Some Crazy Modern Music 1:04

01． Our Lecture Tonight 0:18

02． Rhapsodie espagnole, M. IV. Feria 6:29

03． What a Way to Enter the Twentieth Century 1:38

04． But , if the Truth to be Told 1:28

05． These Troubling Presentiments 2:18

06． So, now in 2:12

07． This Is Atonality 2:30

08． A Charming Idea 0:28

09． The Unanswered Question 5:23

10． I that Luminous Final Triad 2:16

11． I Have Recently Been Reading 1:59

12． We Have Already Referred to Some of Those 3:02

13． In Any Case 1:57

14． But For All These Reasons 2:46

15． Son of Tristan 2:31

16． Now You Look at Those First Two Bars 2:20

17． Of Course, There Are Lots 1:57

18． It's as Though a New Covenant 1:40

19． Trouble is, That the New Musical Rules 2:22

20． The Kind of Tonal Feeling 2:53

21． Of Course, There Are Those Who Say 1:39

22． It Seems Somehow Inevitable 2:17

23． Is There Possibly the Beginning 2:47

24． And What About Beethoven's Nineth 2:44

25． These Are Some of the Problems 2:41

01． Now Let's Jump Ahead 2:22

02． Let's Put it Another Way 2:10

03． First of All, Berg Chose a Tone Row 1:54

04． So, All in All 0:52

05． Berg Violin Concerto (Excerpt) 2:23

06． Fantastic 2:50

07． It Comes at a Point 2:47

08． Berg Violin Concerto II. Allegro, ma sempre rubato - 2:54

09． If This Particularly Demanding Lecture 1:21

10． If You Really Have Been Thinking 2:13

11． But While Restudying this Work 2:21

12． The Twentieth Century 1:39

13． What Do You Do If You Know All This 2:35

14． It's Very Strange, How the Pieces 2:11

15． What Exactly Was This News 1:59

16． We Emerge From a Cinema 1:55

17． As You Listen to This Finale 2:35

18． This is Mahler 2:41

19． IV. Adagio. Sehr langsam und noch zurckhaltend 22:59

01． I Know What Your Are Thinking 1:53

02． What About This 1:27

03． I Plaguing You With this Question 1:45

04． Of Course What he is Really Talking About 2:06

05． But It Was Precisely 1:58

06． Now I Have Just Used Two Words 1:55

07． In Fact, It Was Satie, Picasso, and Cocteau 2:20

08． But Our Scene 1:53

09． Even in the Most 2:03

10． For Our Purposes 2:11

11． Musicologists Are Always Pointing 1:56

12． But Bitonality Does Not Only Serve 2:21

13． Of Course, Polytonality Can And Does 2:10

14． Now What's Going On 2:20

15． And While You Are in That Record Shop 2:16

16． Of Course, These Asymmetries 1:53

17． Brutal It May Be 1:31

18． Now, Remember 1:59

19． These Are Two Sets 1:59

20． Just Cast An Eye 2:44

21． Now That Page of Music 2:59

22． But the Most Striking Semantic Effect 1:40

23． This New Aesthetic Relaxation 2:11

24． Even Some Germans 2:06

25． You Can See How the Transformation 1:55

26． Chomsky Himself Gives a Classic Example 2:09

27． Very Important, the Ironic Element 2:39

28． So, It Would Seem 2:17

29． But This Neoclassic Approach 1:11

30． I Think This Is Again a Moment 2:06

31． It's the Essence 2:34

32． If This Poem Were Rewritten 1:22

01． Why Have I Digressed 1:46

02． Now Can You Understand 1:37

03． Untermeyer Called This 1:42

04． Of Course, With the Waste Land 1:17

05． But the Thing of It All Is 1:31

06． We Are Going to Hear 1:35

07． One Has Only Learnt to Get 2:45

08． Now I propose Only Because 2:23

09． This Union Is Possible Only Because 2:58

10． But What Has All This to Do With Stravinsky 2:21

11． And This Is the Essence 2:13

12． Look Here Is a Joke 2:02

13． Chilling, Shattering, Neoclassic 1:46

14． Stravinsky's Own Aesthetic Pronouncements 2:03

15． But Of Course He Was Forced 1:31

16． And Now We Are Finally Ready 2:36

17． And Then Mozart Appears 2:35

18． But This Eclecticism Knows No Bounds 1:46

19． Now All This I Had Planned to Tell You 1:33

20． You Think That's Funny 2:43

21． How About That 2:56

22． Then Came the Answer 2:41

23． But Why This Particular Misalliance 1:23

24． My Words Are Poor 1:58

01． Prologue 'Your Are About to Hear a Latin Version of Oedipus the King 0:59

02． Act I 'Caedit nos pestis' 4:06

03． Act I 'Liberi vos liberabo' 3:29

04． Act I 'This is Creon, Brother-In-Law of Oedipus 0:26

05． Act I 'Respondit Deus' 6:38

06． Act I' Oedipus Questions the Fountain of Truth 2:44

07． Act I 'Dicere non possum' 5:23

08． Act I 'Gloria!' 1:11

09． Act II The Dispute of the Princess Attracts the Attention of Jocasta 2:10

10． Act II 'Nonn'erubescite, reges' 4:25

11． Act II 'Ne Probentur Oracula' 3:21

12． Act II 'Ego senem cecici' 2:07

13． Act II The Witness to the Murder Comes Out of the Shadow 0:45

14． Act II 'Adest omniscius pastor' 4:32

15． Act II 'Nonne monstru rescituri' 3:24

16． Act II And Now You Are Going to Hear That Famous Monolog 1:38

17． Act II 'Divum locastae caput mortuum!' 3:09

18． Act II 'Ecce! Regem Oedipoda' 2:47

19． Va-le-di-co 2:06

20． During that Decade 1:46

21． It Was At This Point That I Wrote 1:43

22． What Interests Me About It 2:15

23． Is it Possible 1:51

24． It's As Tough in the Period 2:52

25． And I Believe 2:40