ブラームス:交響曲第1番ハ短調Op.68
ブラームス:交響曲第3番ヘ長調Op.90
ケンペ指揮ミュンヘン・フィル
[録音:1975年1月(第1番)、1976年2月(第3番)]
Johannes Brahms Symphonies Nos. 1&3
Rudolf Kempe / Münchner Philharmoniker
Recordingdate: 1975/1976
Technologie: Remastered 24bit/96kHz
Symphony No. 1 in C Minor op. 68
I - Un poco sostenuto - Allegro 13.22
II - Andante sostenuto 8.46
III - Un poco Allegretto e grazioso 4.45
IV - Adagio-Più Andante-Allegro non troppo, ma con brio-Più Allegro 16.10
Symphony No. 3 in F Major op.90
I - Allegro con brio 9.27
II - Andante 7.59
III - Poco allegretto 5.58
IV - Allegro 8.51
Total Time: 75.38
Reviews:
CD Compact
"A magnificient complete colletion. Recommended"
Amadeus
"These versions are magnificient examples of the great brahmsian who was Kempe ... a twilight Brahms"
Répertoire
"A very nice work, coherent, a constantly high level and wonderful classicism"
klassik.com
"Kempe's testament. Highly recommended!"
Musik + Theater
"a breathing, vibrating interpretation ... a reference recording"
Contrappunti
"A grandiose direction"
Contrappunti (I)
"Magistralmente diretta da Rudolf Kempe"
CD Compact
"Una magnífica integral. Recomendado"
Amadeus
"Las versiones son un magnífico ejemplo des gran brahmsiano que fue Kempe ... El Brahms de Kempe es ejemplar, con un cuidado control de los balances, atención al detalle, gran claridad en las texturas, fraseos de una dócil naturalidad y gran consistencia en el pulso rítmico ... un Brahms crepuscular"
Répertoire (F)
"Très beau travail, cohérant, d'un niveau constant et d'un beau classicisme ... souffle puissant et l'impact quasi physique"
Description:
With his uncomparable sense for the compositional strucure, his demand on sound and precision of the orchestra, Rudolf Kempe still ranges as an icon among the great orchestra leaders like Furtwängler or Toscanini.
Born in 1910 near Dresden Kempe soon proved to be master of the baton with clear technique, ecoomy of rehearsal, comprehensal kowledge of the repertoire and his ability to express the tonal and spiritual essence of a score.
He was famous for his X-ray eyes viewing the works of the “giants” Beethoven, Bruckner, Mahler, Shostakovich and above all, Brahms. His interpretation of Brahms has been repeatedly compared to the by now “canonical” interpretation of Wilhelm Furtwängler.
From 1967 until his death in 1976 Kempe was principal conductor of the Munich Philharmonic and during this time formed the orchestra to one of the worlds most famous ensembles.
This recordings of the four Brahms symphonies were made during the last year of Kempe’s life.
They are released now on ARTS ARCHIVES in an audiophile 24 bit/96 remastering offering an unrivalled natural and clear sound of the original recordings.