Mozart Viola Concerto and string quintet
W.A. Mozart:
Concerto for Viola and Orchestra, K. 622 (1802 transcription) ·
String Quintet, K. 581 (1803 transcription)
Lars Anders Tomter, viola
Norwegian Chamber Orchestra
Arvid Engegård,conductor
Henning Kraggerud, violin
Jan Bjøranger, violin
Catherine Bullock, viola
Christian Poltéra, cello
World Premiere Mozart Recording
The music on this release is among the most loved artworks of the world. Today we know them mostly with the clarinet as the solo instrument, but Mozart wrote for a different instrument – an instrument with the same range as the viola. Prepare for an enlightening and refreshing approach to Mozart.
The clarinet was still in the process of evolution as Mozart was writing, and he designed the Quintet and Concerto for the instrument developed by his friend and fellow Freemason, the clarinet virtuoso Anton Stadler (1753-1812); the “bassett clarinet”. This instrument was no success, but of course Mozart’s music lived on – although in arrangements for other solo instruments made after his death. Mozart’s original solo part for the concerto is today vanished. For the solo part to be playable on the clarinet, the arranger had to do adaptations of the melodic material.
Closer to the source of the concerto?
Now we release for the first time on CD a viola version, dating from 1802-03 when it was published by Johann André in Offenbach-am-Main. Given that the viola has the same ambitus as the bassett clarinet, reaching a third below the clarinet, the unknown arranger of this viola version could keep much of the original solo part without re-writing. The source of this arrangement remains a mystery, although musicologists speculate in names like Beethoven and Hummel.
String quintet
This is a brilliant adaption of Mozart’s clarinet quintet, where the solopart is divided between the solo viola and the first violin. The result is a remarkable string quintet with elegant exchanges between violin, cello and viola characterize the movement as it progresses; the highly contrapuntal writing of the development section (in which each string instrument gives its version of the viola’s opening phrase) testifies to Mozart’s recent study of J.S. Bach, which had its effect on all his late music.
Outstanding performers
Lars Anders Tomter belong in the international elite of soloists, touring all over the world. He is also Professor of viola at the Norwegian Academy of Music, and Artistic Director of the Risør Chamber Music Festival together with Leif Ove Andsnes. Arvid Engegård conducts the Norwegian Chamber Orchestra in a live recording from the Aula in Oslo, and Henning Kraggerud leads a quartet of first rate string players – including the cellist Christian Poltéra.
Lars Anders Tomter
The Giant of the Nordic Viola (The Strad) – is one of today's most outstanding violists. His international solo career started in 1987/88 when he toured extensively in the United States and Germany with the prestigious Norwegian Chamber Orchestra under its director Iona Brown. Since then his appearances as a viola soloist has been greeted with the highest public and critical acclaim throughout Europe and the United States, from the Vienna Musikverein to major venues in Scandinavia, Madrid, Budapest, Berlin, Bonn, Cologne, Frankfurt, Hamburg, Munich, Stuttgart, Paris, Prague, Rome, London, New York, Los Angeles and Washington D.C. Lars Anders Tomter is artistic director of the Norwegian Risør Chamber Music Festival.
