Big Big Train　

The roots of British progressive act Big Big Train can be traced back to the late ’80s, when Gregory Spawton moved down from the Midlands to coastal Bournemouth and befriended Andy Poole. Bon ..more

Kariyushi 58　

Joe Henderson　

Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-’60s, Joe Hender ..more

Phil Lynott's Grand Slam　

Supertramp　

Supertramp followed an unusual path to commercial success in the 1970s, fusing the stylistic ambition and instrumental dexterity of progressive rock with the wit and tuneful melodies of British pop ..more

Keisuke Yamauchi　

CHAGE and ASKA　

Kiyoshiro Imawano　

CRAVITY　

Momoe Yamaguchi　

Awich　

Small Faces　

Small Faces were the best English band never to hit it big in America. Outside Europe, all anybody remembers them for is their sole hit, Itchycoo Park, which was hardly representative of their {\ ..more

WayV　

G.I.S.M.　

Stan Getz　

One of the all-time great tenor saxophonists, Stan Getz was known as The Sound because he had one of the most beautiful tones ever heard. Getz, whose main early influence was Lester Young, ..more

Wes Montgomery　

Wes Montgomery was one of the great jazz guitarists, a natural extension of Charlie Christian, whose appealing use of octaves became influential and his trademark. He achieved great commercia ..more

Pharoah Sanders　

Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz. Harmonically rich and heavy with overtones, Sanders’ sound can be as raw and abrasive as it is possible f ..more

Shintenchi Kaibyaku Shudan: Zigzag　

Lovin' Spoonful　

Right on the tails of the Beau Brummels and the Byrds, the Lovin’ Spoonful were among the first American groups to challenge the domination of the British Invasion bands in the mid-’60s. B ..more

Mine Kosuke