Screaming In Silence

Release Date: March 30, 2010 Catalog Number: RAR7895 UPC: 845121017878 Style: Metal Tracks: 10 Time: 29:38 Lyrics: Yes Packaging: 4 panel jewel case ABOUT THE ALBUM This heavy metal classic was originally released in 2002 as the debut release for the fledgling Retroactive Records. Screaming In Silence got the label off on the right foot, as it now boasts over 120 releases! With just a single 1000 unit pressing the album quickly went out of print. Just as impressively, with a total of four releases, Titanic remains one of the top selling bands on a label that boasts big names like Bride, Guardian and Deliverance! The 2010 Collector's Edition features stunning new artwork, while the music has been remixed, remastered and partially re-recorded. We extend a special thanks to the amazing Robert Sweet (Stryper) for providing real drums on this Collector's Edition (the original recording featured a drum machine). We asked him to 'really let loose' and to 'drum like you've always wanted to - with no restrictions' and that's exactly what he did! The result is a world-class heavy metal release with drums by a bonafide superstar! Guitar duties are handled by axeman extraordinaire, Bill Menchen (Seventh Power, Menchen, Final Axe, Rev Seven, Redeemer) and the sudden impact vocals of Keith Miles (Final Axe, Holy Right) provide a powerful classic metal experience with vocals riffs that could power the Titanic! Melodic power metal fans have made it clear that Screaming In Silence is a classic worthy of it's legendary, heavy-weight status! Retroactive Records is pleased to make this out-of-print album available once again! For fans of Judas Priest, Saint and Bloodgood. *White Throne Blog: Bill & Keith's passion are obviously there but the drumming of Robert Sweet adds the spark to a smoldering metal flame that ignites in a blaze of glory. WHITE THRONE BLOG REVIEW With a powerful energetic drum assault from Strypers Robert Sweet these reissues of Bill Menchen's Titanic are even more powerful than when they were first released. Both Maiden Voyage and Screaming in Silence were solid heavy metal albums before. Now with the drumming of Robert Sweet they are spectacular! This is mid paced heavy metal that leather jackets and denim jeans were made for. Both 'Screaming...' and 'Maiden...' were originally released using a drum machine (if that is incorrect someone please correct me.) Needless to say the sound wasn't as big as it could've been. It showcased Menchens guitar prowess and Sam Tyler's vocal styles. Screaming in Silence and Maiden Voyage highlighted powerful hook laden heavy metal songs. Now with this new dynamic of real drums by Sweet, he added the missing piece, power, feel, drive and downright rock n roll attitude. When you listen to the improved 'Fight Back,' 'I am Watching You,' 'Oceans of Blood,' or 'Gods of War' from Maiden Voyage there is so much more feel that it enhances Bills guitar riffs. It is simply astounding. The added bass drums and fills just increase the power that was already there in the songs to begin with. The hair starts swirling and the neck joins in with glorious praise. The songs from Screaming in Silence also receive a tremendous boost from real drumming. Robert's dynamics on 'Hypnotic' enhance a very groove influenced metal song and just add that missing piece. 'As I Am,' 'See through My Eyes' are some just obvious examples of the intensity taken up to the next notch. Bill & Sam's passion are obviously there but with a drummer of Robert's caliber behind the kit he adds the spark to a smoldering metal flame that ignites in a blaze of glory. The hooks are stronger and more infectious than before. The songs here just sound vastly improved. Heavier than say Priest's Point of Entry but perhaps not quite British Steel. Hook filled like Saxon's Denim and Leather but with the guts of Armored Saints Raising Fear. Not ground breaking but first rate. Any takers? I would almost view those first two original releases as warm up demos for the real thing. The introduced you to the songs and band, but were'nt the finished