Blue Mitchell　

Owner of a direct, lightly swinging, somewhat plain-wrapped tone that fit right in with the Blue Note label’s hard bop ethos of the 1960s, Blue Mitchell tends to be overlooked today perhaps beca ..more

Bobby Hutcherson　

Easily one of jazz’s greatest vibraphonists, Bobby Hutcherson epitomized his instrument in relation to the era in which he came of age the way Lionel Hampton did with swing or Milt Jacks ..more

Brad Mehldau　

One of the most acclaimed pianists of his generation, Brad Mehldau is a virtuoso performer with an ear for deeply nuanced, harmonically sophisticated acoustic jazz. While Mehldau is one of the m ..more

Bud Powell　

One of the giants of the jazz piano, Bud Powell changed the way that virtually all post-swing pianists play their instruments. He did away with the left-hand striding that had been conside ..more

Cannonball Adderley　

One of the great alto saxophonists, Cannonball Adderley had an exuberant and happy sound that communicated immediately to listeners. His intelligent presentation of his music (often explaining what ..more

Cannonball Adderley / Bill Evans　

Cecil Taylor　

Soon after he first emerged in the mid-’50s, pianist Cecil Taylor was the most advanced improviser in jazz; five decades later he is still the most radical. Although in his early days he used ..more

Charles Lloyd　

Saxophonist Charles Lloyd is a forward-thinking musician’s musician whose supreme improvisational talents and interest in cross-pollinating jazz with rock as well as non-Western styles of music dur ..more

Charles Mingus (Charlie Mingus)　

Irascible, demanding, bullying, and probably a genius, Charles Mingus cut himself a uniquely iconoclastic path through jazz in the middle of the 20th century, creating a legacy that became unive ..more

Charlie Haden　

As a member of saxophonist Ornette Coleman’s early bands, bassist Charlie Haden became known as one of free jazz’s founding fathers. Haden has never settled into any of jazz’s many styl ..more

Charlie Parker　

One of a handful of musicians who can be said to have permanently changed jazz, Charlie Parker was arguably the greatest saxophonist of all time. He could play remarkably fast lines that, if slo ..more

Charlie Rouse　

Possessor of a distinctive tone and a fluid bop-oriented style, Charlie Rouse was in Thelonious Monk’s Quartet for over a decade (1959-1970) and, although somewhat taken for granted, was an i ..more

Chet Baker　

Chet Baker was a primary exponent of the West Coast school of cool jazz in the early and mid-’50s. As a trumpeter, he had a generally restrained, intimate playing style and he attracted attentio ..more

Chick Corea　

Chick Corea has been one of the most significant jazzmen since the ’60s. Not content at any time to rest on his laurels, he has been involved in quite a few important musical projects, and his musi ..more

Chris Potter　

Post-bop saxophonist Chris Potter quietly became one of the more sophisticated and respected stylists of the ’90s and early 2000s, both as a leader and as a sideman in several prominent groups. Bor ..more

Christian Mcbride & Edgar Meyer　

Clifford Brown　

Clifford Brown’s death in a car accident at the age of 25 was one of the great tragedies in jazz history. Already ranking with Dizzy Gillespie and Miles Davis as one of the top trumpeters ..more

Dave Brubeck　

In the 1950s and ’60s, few American jazz artists were as influential, and fewer still were as popular, as Dave Brubeck. At a time when the cooler sounds of West Coast jazz began to dominate the pub ..more

Dayna Stephens　

Jazz saxophonist and composer Dayna Stephens is an adept post-bop-influenced musician who has worked with a bevy of heavy-hitting jazz artists. A native of the San Francisco Bay Area, Stephens a ..more

Dexter Gordon　

Dexter Gordon had such a colorful and eventful life (with three separate comebacks) that his story would make a great Hollywood movie. The top tenor saxophonist to emerge during the bop era and ..more