CD Import

[USED:Cond.B] Full House

Wes Montgomery

User Review :5.0
(3)

Used Details

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Other Condition
:
Non
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HMV record shop coppice KICHIJOJI
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Item Details

Genre
Catalogue Number
1861062
Label
Format
CD
Other
:
Import

Product Description

(This HMV Review is for new items and is only for reference. Novelty will NOT be available for used items despite mentioned bellow.)

Personnel: Wes Montgomery (guitar); Johnny Griffin (tenor saxophone); Wynton Kelly (piano); Paul Chambers (bass); Jimmy Cobb (drums).
Recorded live at Tsubo, Berkeley, California on June 25, 1962. Originally released on Riverside (9434). Includes liner notes by Orrin Keepnews.
Digitally remastered by Danny Kopelson (1987, Fantasy Studios, Berkeley, California).
For starters, it is impossible to go wrong with the personnel on FULL HOUSE. With a rhythm section comprised of alumni from Miles Davis's first quintet (Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums) and the blazing tenor saxophone of Johnny Griffin complementing Wes Montgomery's bop leads on guitar, listeners will know they are in for a wild ride even before the album begins. Add to this an enthusiastic audience in a Berkeley jazz club in 1962 (where the performance was recorded), and one has a full house in more ways than one.
Post bop with a soulful, bluesy edge is the flavor of the day here, and the group works out accordingly on Dizzy Gillespie's "Blue 'N' Boogie" and on Montgomery's own compositions, the title track and "Cariba," both of which meld shuffle-boogaloo rhythms to bop pyrotechnics, casting the whole in a soul-jazz vibe. A beautiful, smoothed-out read of "I've Grown Accustomed to Her Face" is a showcase for Montgomery's cool, melting tone. Listeners will undoubtedly wish they were in the audience in Berkeley that night; but listening to FULL HOUSE is the next best thing. (The Extended Resolution reissue of the CD provides superior audiophile quality.)

Track List   

  • 01. Full House (09:14)
  • 02. I've Grown Accustomed to Her Face (03:29)
  • 03. Blue 'N' Boogie (09:41)
  • 04. Cariba (09:42)
  • 05. Come Rain or Come Shine [Take 2] (06:58)
  • 06. Come Rain or Come Shine [Take 1] (07:18)
  • 07. S.O.S. [Take 3] (05:06)
  • 08. S.O.S. [Take 2] (04:49)
  • 09. Born to Be Blue (07:23)

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オクターブ奏法や親指による超絶早弾きもウ...

投稿日:2021/02/27 (土)

オクターブ奏法や親指による超絶早弾きもウェスの魅力ではあるか、ウェスといえば、2曲めの ”アイヴ・グロウン・アカスタムド・トゥ・ハー・フェイス” の深い味わいでしょ。どれだけトレンドがもてはやされようとも、この曲の輝きは決して失せないでしょう。

Swingy さん | 大阪府 | 不明

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★
★
★
★
★
とにかくいい!!s.o.s.のウェスとジョニー...

投稿日:2003/02/25 (火)

とにかくいい!!s.o.s.のウェスとジョニーとのテーマ部分がオススメです。全体的にフィンガー・ピッキング独特の温かさ、滑らかさが魅力的な一枚。ジャズビギナーも裏切られることは決してない、これぞジャズギターといった感じです。

トムさん さん | 宇宙 | 不明

0
★
★
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まさにジャズ・ギターの金字塔ともいえる名...

投稿日:2002/10/06 (日)

まさにジャズ・ギターの金字塔ともいえる名盤!1曲目が始まったとたんにあまりのカッコ良さにK・Oされてしまうが圧巻なのは「Cariba」。シングルノート→オクターブ奏法→コードソロと続くウエスのアドリブは圧倒的なドライブ感でぐいぐいスイングします!こりゃたまらん!

S’s Daddy さん | 神奈川県 | 不明

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