SACD

"Pie Jesus -Sacred Arias : Maki Mori, soprano"

User Review :4.0
(4)

Item Details

Genre
:
Catalogue Number
:
AVCL25182
Number of Discs
:
1
Label
:
Format
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SACD
Other
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Hybrid Disc

Product Description

Pie Jesus - Sacred Arias

Mozart: Exsultate Jubilate, K. 165
Mozart: C Minor Mass, K. 427: Et Incarnatus Est
Mozart: C Minor Mass. K. 427: Laudamus Te
Haydn: Die Schoepfung, Hob.xxi: 2: Und Gott Sprach: Es Bringe die Erde Gras Hervor
Haydn: Die Schoepfung, Hob. XXI: 2: Nun Beut die Flur das Frische Gruen
Haydn: Die Schoepfung, Hob.xxi: 2: Und Gott Sprach: Es Bringe das Wasser in Der Fuelle Hervor
Haydn: Die Schoepfung. Hob.xxi: 2: Auf Starkem Fittiche Schwingt Sich
J.S.Bach: Matthaeus-passion, BWV244: Er Hat Uns Allen Wohlgetan
J.S.Bach: Matthaeus-passion, BWV244: Aus Liebe Will Mein Heiland Sterben
J.S.Bach: Johannes-passion, BWV245 Zerfliesse. Mein Herze
Faure: Requiem - Pie Jesu
Franck: Panis Angelicus

Maki Mori, soprano
Orchestra Ensemble Kanazawa
Seikyo Kim, conductor

Digital recording: 07/2007
SACD Hybrid
CD STEREO/ SACD STEREO/ SACD SURROUND

Maki Mori (soprano)
Born in Tokyo, Maki Mori initially studied piano and violin and then singing at the Tokyo National University of Fine Arts and Music, the Conservatory of Music Giuseppe Verdi in Milan and the Music College in Munich. She won the Placido Domingo’s Operalia Competition (Hamburg) and the International Singing Competition Orfeo 2000 (Hanover). She is also the recipient of many special prizes for operettas (from the Belvedere International Singing Competition in Vienna), Lied and the best interpretation of Bach.
She has performed at the Washington National Opera as Blonde in Die Entfurung aus dem Serail with Gunter Missenhardt and the director Michael Hampe, as Gilda in Rigoletto with Haijing Fu conducted by Heinz Fricke, as Blumen Madchen in Parsifal with Placido Domingo and Matti Salminen, as Olympia in Les Contes d’ Hoffmann with Richard Leech, Andrea Rost conducted by Emmanuel Villaume, and as Adele in Die Fledermaus with June Anderson and Wolfgang Brendel, which received critical acclaim from The Washington Post and The Wall Street Journal and won the S&R Foundation’s Washington Award. She has performed also at the Los Angeles Opera as Sophie in Werther with Robert Alagna, Frederica von Stade and Kent Nagano. She has sung such roles in Tokyo as Nannetta in Falstaff with Giorgio Morandi, Rosina in Il Barbiere di Siviglia, and Tytania in A Midsummer Night’s Dream. In 2005, she performed as Musetta in La Boheme with Giuseppe Sabbatini, Eva Mei conducted by Nicola Luisotti in May and performed as Gilda with the Sofia National Opera in November.

In addition to performing with Domingo, Pavarotti and Carreras’s “The 3 Tenors” concert in Japan, as a soloist, she has sung Mozart’s Exsultate jubilate with Seiji Ozawa, Rudolf Barschai, David Robertson, Enoch zu Guttenberg and the Munchener Philharmoniker, Mahler No.4 with Gary Bertini and Myung-Whung Chung, Mozart’s Requiem with Vladimir Ashkenazy and NHK Symphony and Seiji Ozawa, Mahler No.8 with Gianandrea Noseda, Mozart’s Mass c-moll and Bach’s Mass h-moll with Wolfgang Gonnenwein at the Budapest National Theater, Adele, Vilia-Lied and Fruhlingsstimmenwalzar in the New Year Concert with Peter Guth and the Strauss Festival Orchestrer Wien. She sang a solo recital at the Carnegie Hall, which was recorded live and released by avex. In May 2006 she performed with Paavo Jarvi and the Deutsche Kammerphilharmonie. In 2007, she performed with Dresdner Kreuzchor and Dresdner Philharmonie in February, and made debut in March at the Sachsische Staatsoper Dresden as Sophie in R. Strauss’s “Der Rosenkavalier” which was highly acclaimed. She will perform this role again with the Sachsische Staatsoper on their Japan tour in November, 2007.
She performs widely with domestic and international orchestras, and is acclaimed everywhere she performs for her beautiful voice which has the high technique of coloratura and deep musicality. She is a remarkable international singer who is a representative of Japan. ( Avex Classics )

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最近流行りのさっぱり・爽やか系。日本の声...

投稿日:2011/01/25 (火)

最近流行りのさっぱり・爽やか系。日本の声楽全般に共通する箱庭的ともいえる。しかしこういった録音にしてしまえばそれも良い方向に働くし、むしろ精緻な部分が好ましくもある。ともかく一人で歌っている分には声量の無さも気にならない。 過日のドレスデン国立歌劇場の日本公演で薔薇の騎士のソフィー役として出させてもらったが、これは気の毒になるほど周りの歌手との声量差が大きく、相当気を使ってもらったようだが、それでも全くかき消されていた。世界に通用するとはとても言い難い。

稲荷屋茶助 さん | 東京都 | 不明

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森麻季の歌声は透明度の高い爽やかなものだ...

投稿日:2008/07/17 (木)

森麻季の歌声は透明度の高い爽やかなものだ。ヴィヴラートの襞の深さは比較的浅く、どちらかというと「和風・醤油風味」とでも表現したくなる素直で真っ直ぐな歌唱が特徴だ。バックのオケははっきり言って巧くない。要所要所で出所がビシッと合っておらず、ちぐはぐな面が見え隠れする。リハーサル不足なのか地方オケの性能限界なのかは分からないが。特にホルンの破綻度合いは受忍限度を超えるくらい「イマイチ」である。

MusicArena さん | 神奈川県横浜市 | 不明

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森麻季さんの歌声、今回のCDも良いですね...

投稿日:2007/12/14 (金)

森麻季さんの歌声、今回のCDも良いですね。 ですが、伴奏はミスキャストですね。冒頭のオケストラの伴奏を聴いて、もう聴くのを止めようかと思ってしまいました。音程が悪く、音が出てからずり上がる感じがして、もの凄く気持ち悪く感じました。これまでの2枚のCDの伴奏が良かったので、ガッカリしています;; 森さんには、もっと良いオケストラと指揮者の方の協演をしてあげて欲しいですね。

Emmanuel Kent さん | 大阪 | 不明

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