Gruberova In Japan

This recording goes far in capturing the breadth and depth of Edita Gruberova's manifold vocal talents. Whether taking on tragic heroines such as Semiramide ("Bel raggio lusinghier") or comic ingenues such as Adele ("Spiel' ich die Unschuld vom Lande"), Gruberova anchors her dramatically convincing performances in a technique so refined that few can rival her devotion to the musical text. Consider her performance of "Caro nome," in which Gruberova's vocal ability to realize the daunting particularities of the musical score give the performance a special authority. With seeming ease and consummate control, Gruberova can sing a very high pitch very softly, gradually turn up the volume to loud, and then reverse the process. It is that elasticity of voice, ranging from the delicate to the powerful, that makes Gruberova's instrument so suited to the Romantic repertory represented on this recording. Add to that a pristine sense of pitch, tremendous breath control, and an unearthly trilling ability, and Gruberova's art starts to take shape. In her hands, the hushed and seemingly unending trill that concludes "Caro nome" becomes a beguiling retreat into Gilda's thoughts. Gruberova's performance of this aria will compel even the most seasoned listener to hear it anew.