CD Import

[USED:Cond.AB] Complete EMI Recordings: Boult / LPO, LSO, Philharmonia, New Philharmonia, BBC Symphony Orchestra, etc (13CD)

Vaughan Williams (1872-1958)

User Review :5.0
(1)

Used Details

Artwork
Here *The artwork is of the new items and may differ from the actual item.
Other Condition
:
ブックレット付き
Comment
:
13CD BOX
:
HMV record shop online

Item Details

Genre
Catalogue Number
9035672
Label
Format
CD
Other
:
Import

Product Description

(This HMV Review is for new items and is only for reference. Novelty will NOT be available for used items despite mentioned bellow.)

13CD BOX

Track List   

Disc   1

  • 01. Behold the Sea Itself (Chorus) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 02. Today a Rude Brief Recitative (Baritone & Chorus) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 03. Flaunt Out, O Sea, Your Separate Flags of Nations (Soprano & Chorus) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 04. Token of All Brave Captains (Chorus) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 05. A Pennant Universal (Baritone, Soprano & Chorus) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 06. On the Beach, at Night, Alone (Baritone & Semi-Chorus) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 07. A Vast Similitude Interlocks All (Baritone & Chorus) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 08. III. Scherzo: The Waves (Allegro Brillante) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 09. O Vast Rondure, Swimming in Space (Chorus) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 10. Down from the Gardens of Asia Descending (Chorus) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 11. O We Can Wait No Longer (Baritone & Soprano) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 12. O Thou Transcendent (Soprano, Baritone & Chorus) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 13. Greater Than Stars or Suns (Chorus, Soprano & Baritone) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 14. Sail Forth (Chorus, Soprano & Baritone) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult
  • 15. O My Brave Soul (Soprano, Baritone & Chorus) - Sheila Armstrong/John Carol Case/London Philharmonic Choir/London Philharmonic Orchestra/Sir Adrian Boult

Disc   2

  • 01. I. Lento - Allegro Risoluto (Molto Pesante) - London Philharmonic Orchestra/Sir Adrian Boult
  • 02. II. Lento - London Philharmonic Orchestra/Sir Adrian Boult
  • 03. III. Scherzo (Nocturne): Allegro Vivace - London Philharmonic Orchestra/Sir Adrian Boult
  • 04. IV. Andante Con Moto - Maestoso Alla Marcia (Quasi Lento) - Allegro - Maestoso Alla Marcia (Alla I) - Epilogue (Andante Sostenuto) - London Philharmonic Orchestra/Sir Adrian Boult
  • 05. I. Molto Moderato - London Philharmonic Orchestra/Sir Adrian Boult
  • 06. II. Lento Moderato - London Philharmonic Orchestra/Sir Adrian Boult
  • 07. III. Moderato Pesante - Presto - London Philharmonic Orchestra/Sir Adrian Boult
  • 08. IV. Lento - Moderato Maestoso - London Philharmonic Orchestra/Dame Margaret Price/Sir Adrian Boult

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まずリマスターについて。「コンチェルト・...

投稿日:2016/12/29 (木)

まずリマスターについて。「コンチェルト・グロッソ」が2001年、ディスク11のモノラル録音群が2013年。それ以外はすべてCD初出時のままと思われる1980年代中頃〜1990年代前半のマスターを使用しています。旧EMI録音には、頻繁にボックスセットで再発される割にリマスターが一向に行われない録音がありますが(バレンボイム&イギリス室内管のモーツァルト・ピアノ協奏曲全集など)、これもそのひとつ。もっとも、音の素性は十分に良く、変にいじられるよりはこのままでいい、という人も多いかもしれません。演奏については今さらとやかく言うべきこともない、永遠のリファレンス。ボールトという人は、大らかでスケールが大きかった、というだけでなく、彼の世代にしてはテクスチャーの透明さなどに関して近代的なセンスも持ち合わせていたように思います。単に「作曲者と親交のあった人が振ったから」というだけでなく、現代の耳で聴いても意外なまでに古さを感じさせない音響美が、この録音群が長く支持される理由のひとつなのではないでしょうか。

SeaCrow さん | 東京都 | 不明

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