DVD Import

La Sonnambula : De Ana, Benini / Teatro Lirico Di Cagliari, E.Gutierrez, Siragusa, Alaimo, etc (2008 Stereo)

Bellini (1801-1835)

User Review :5.0
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Item Details

Genre
:
Catalogue Number
:
DYNDVD33616
Number of Discs
:
2
Label
:
DYN
Aspect
:
WideScreen
Color
:
Colour
Format
:
DVD
Other
:
Import

Product Description

Bellini: LA SONNAMBULA

Il Conte Rodolfo - Simone Alaimo
Amina - Eglise Gutierrez
Elvino - Antonino Siragusa
Lisa - Sandra Pastrana
Teresa - Gabriella Colecchia
Alessio - Gabriele Nani
Un notaro - Max Rene Cosotti
Orchestra & Chorus Teatro Lirico di Cagliari
Maurizio Benini, conductor

directed by Hugo De Ana
Teatro Lirico di Cagliari, 2008

Run Time: 141 min.

La Sonnambula was first performed with enormous success at the Teatro Carcano, Milan on 6th March 1831 with Giuditta Pasta and Giambattista Rubini in the roles of Amina and Elvino, the most well-known and ideal singers for the parts at the time. Bellini was full of praise for their performance and declared them ”two angels who could transport the audience into a state bordering on distraction”. La Sonnambula is an idillic, classical and intense melodramma with an extremely fine, lyrical musicality and tense with pure ”canto”, suspended between Arcadia and Romanticism. It is a combination of tender and melancholic sentiments and of tragic and moving passion, in a natural uncontaminated and innocent atmosphere and humanity which clearly represent the artistic experience of the composer. The charming staging by Hugo de Ana, at the Teatro Lirico di Cagliari goes back to January 2007. Through fascinating tableaux vivants, references to 17th century Romantic painting and refined visual projections, it is a tribute to Luchino Visconti. Visconti produced the memorabile performance of Sonnambula in March at the Scala di Milano with the magnificant Maria Callas. ( Dynamic )

Track List   

Disc   1

  • 01. Opening
  • 02. La sonnambula (The Sleepwalker)
  • 03. Act I: Opening Credits
  • 04. Act I: Viva! Viva Amina! (Chorus)
  • 05. Act I: Care compagne (Amina)
  • 06. Act I: Sovra il sen la man mi posa (Amina)
  • 07. Act I: Prendi: l'anel ti dono (Elvino)
  • 08. Act I: Qual rumore! (Elvino)
  • 09. Act I: Ma... Il Sol Tramonta (Teresa)
  • 10. Act I: Elvino!... E Ma Tu Lasci (Amina)
  • 11. Act I: Davver non mi dispiace (Il Conte)
  • 12. Act I: Che veggio? (Il Conte)
  • 13. Act I: E menzogna (Elvino)

Disc   2

  • 01. Act II: Qui la Selva E Piu Tolta... (Chorus)
  • 02. Act II: Reggimi, o buona madre (Amina)
  • 03. Act II: Tutto e sciotto (Elvino)
  • 04. Act II: Viva il Conte! (Chorus)
  • 05. Act II: Lisa e la sposa! (Chorus)
  • 06. Act II: Elvino, t'arresta (Il Conte)
  • 07. Act II: Lisa mendace anch'essa (Quartet)
  • 08. Act II: Signor? Che creder deggio? (Elvino)
  • 09. Act II: Oh, se una volta sola (Amina)
  • 10. Act II: Ah! Non credea mirarti (Amina)
  • 11. Act II: No, piu non reggo (Elvino)
  • 12. Act II: Curtain Call - End Credits

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「夢遊病の女」の舞台映像は4つ見たが、私...

投稿日:2021/07/21 (水)

「夢遊病の女」の舞台映像は4つ見たが、私は総合的にはこれが一番良かった。その第一の要因は何と言ってもスイスの自然を表現した舞台の美しさだ。変なおふざけもなく、哲学的な意味合いを求めて深読みする必要もない、ただただ美しいだけの舞台。ベッリーニの極上の音楽にはそれだけで十分ではないだろうか?こういう本来なら当たり前のはずの演出が近頃少ないだけに逆に新鮮に感じた。アミーナはエヴァ・メイが一番上手いと思ったが、このグティエレスという歌手は、明るい鈴のような美声のメイとは対照的に暗めの声が印象的だ。シラグーサはメトロポリタンのフローレスと甲乙つけがたい。アライモの安定感もさすが。願わくば、こういう演出でロッシーニの「ウィリアム・テル」を見てみたいものだ。

グー さん | 兵庫県 | 不明

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