Sweet Thursday　

A short-lived minor-league supergroup of sorts, Sweet Thursday featured supersessionman Nicky Hopkins on keyboards and Jon Mark (of Bluesbreakers fame) on vocals and guitar. Their sole, self- ..more

Sweet　

In some ways, the Sweet epitomized all the tacky hubris and garish silliness of the early ’70s. Fusing bubblegum melodies with crunching, fuzzy guitars, the band looked a heavy metal band, but were ..more

Supertramp　

Supertramp followed an unusual path to commercial success in the 1970s, fusing the stylistic ambition and instrumental dexterity of progressive rock with the wit and tuneful melodies of British pop ..more

Supergrass　

Like many other British bands of the ’90s, Supergrass’ musical roots lie in the infectiously catchy punk-pop of the Buzzcocks and the Jam, as well as the post-punk pop of Madness and the t ..more

Sundays　

Building on the jangly guitar pop of the Smiths and the trance-like dream pop of bands like the Cocteau Twins, the Sundays cultivated a dedicated following in indie rock circles, bot ..more

SUEDE　

Suede kick-started the Brit pop revolution of the ’90s, bringing English indie pop/rock music away from the swirling layers of shoegazing and dance-pop fusions of Madchester, and reinstating such c ..more

STYX　

Although they began as an artsy prog rock band, Styx would eventually transform into the virtual arena rock prototype by the late ’70s and early ’80s, due to a fondness for bombastic rockers and so ..more

The Style Council　

Guitarist/vocalist Paul Weller broke up the Jam, the most popular British band of the early ’80s, at the height of their success in 1982 because he was dissatisfied with their musical direction. ..more

Stryper　

Heavy metal has been associated with ol’ Beelzebub ever since its inception, but a few acts took the opposite route and put their Christian beliefs in hard-rocking songs, such as Stryper. Formed in ..more

The Strokes　

Equally inspired by classic tunesmiths like Buddy Holly and John Lennon and the street-smart attitude and angular riffs of fellow New Yorkers Television and the Velvet Underground, the S ..more

Strapps　

Stories　

Though originally helmed by onetime Left Banke mastermind Michael Brown, Stories ironically scored their lone hit, the 1973 chart-topper Brother Louie, following Brown’s exit from the ..more

The Stooges　

During the psychedelic haze of the late ’60s, the grimy, noisy, and relentlessly bleak rock ＆ roll of the Stooges was conspicuously out of time. Like the Velvet Underground, the Stooges revea ..more

The Stone Roses　

Meshing ’60s-styled guitar pop with an understated ’80s dance beat, the Stone Roses defined the British guitar pop scene of the late ’80s and early ’90s. After their eponymous 1989 debut a ..more

Sting　

Stiff Little Fingers　

A taut, explosive Belfast-based punk band, Stiff Little Fingers (named after a Vibrators song) had the dubious distinction of being referred to as The Irish Clash. What must have seemed ..more

Stevie Nicks　

Famed for her mystical chanteuse image, singer/songwriter Stevie Nicks enjoyed phenomenal success not only as a solo artist but also as a key member of Fleetwood Mac. Stephanie Lynn Nicks was ..more

Steve Howe　

Steve Howe was born in London on April 8, 1947. When he began playing guitar he had quite a few influences, chief among them Chet Atkins. When you consider that two of the others were Django R ..more

Steve Hackett　

Steve Hackett is best known as the guitarist with Genesis during their best years as both a progressive and commercial band, across ten albums of their history. His arrival in the group’s lineup ..more

Steely Dan　

Most rock ＆ roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. Steely Dan never subscribed to that aesthetic. As the ..more