United We Swing

Spanish Harlem Orchestra's third release isn't appreciably different from their first two, but that's not a criticism: as before, the 13-piece collective delivers a non-stop volley of pure neo-retro salsa dura that couldn't possibly be improved upon. Led by pianist Oscar Hernández, SHO takes its cues from the heyday of Tito Puente, Machito and the other revered Latino bandleaders of the mid- to late-20th century. The coordinated horn blasts snap in and out with regularity, the percussion is ceaselessly dizzying, the nuanced solos impressive and the vocalists all engaging. Most of the tunes here are originals, and the arrangements, by Hernández, vocalists Willie Tórres, Ray de la Paz and others, are polished to perfection. Paul Simon is the big-name guest star this time out, taking a lead vocal on the album closer, his own "Late in the Evening," repaying a favor to Hernández, who worked with Simon on the latter's ill-fated Broadway musical The Capeman. It's actually the weakest track on an album that otherwise has none, if only because it feels out of context. But not to worry: this is Latin dance music the likes of which is rarely heard anymore, and that in itself is worthy of celebration.