Solaris

Spin (11/00, pp.206-7) - 8 out of 10 - "...May be [his] best record yet....Not only an ascetic blend of house and jungle; it's also an ingenious fusion of mathematically cool beats and desperately human heat..."
Mixmag (10/00, p.183) - 3 out of 5 - "...[A] mixture of old skool vibes over slow breaks and sparse deep house numbers..."
Muzik (10/00, p.73) - 4 out of 5 - "...Joins the dots between house, techno and hip-hop in a truly original, compelling and often spellbinding manner..."
Mojo (10/00, p.100) - "...Continues his sonic adventure...mixing zero-gravity beats...with deeply dubby Chicago house....An album of supreme control..."
Wire (10/00, pp.70,72) - "...Excellent....Not drum'n'bass at all. One track is up to speed...but the rest is slow breaks, atmospheric HipHop, Techfunk and, in 'Mine To Give', chartstorming vocal House..."
NME (10/14/00, p.39) - 8 out of 10 - "...An album steeped in bleep-techno aesthetics and shaped by the irresistible groove of ancient Chicago house....pushing drum'n'bass far beyond its self-imposed restrictions..."
Melody Maker (10/17/00, p.59) - 4 stars out of 5 - "...The king of minimalist drum'n'bass gets himself a proper singer (!) and goes all deep house (!!)..."
Alternative Press (11/00, p.122) - 3 out of 5 - "...Rolling bass&drum gems....a sprawling record full of bizarre turns turning into frothy UK garage house and drawling Massive Attack-ish downtempo cuts..."
CMJ (9/11/00, p.28) - "...A complex and unique collection of futuristic electronic music..."