Tsuyoshi Yamamoto　

Ahmad Jamal　

One of the most individualistic pianists, composers, and arrangers of his generation, Ahmad Jamal’s disciplined technique and minimalist style had a huge impact on trumpeter Miles Davis, and J ..more

Isao Suzuki　

Bobby Hutcherson　

Easily one of jazz’s greatest vibraphonists, Bobby Hutcherson epitomized his instrument in relation to the era in which he came of age the way Lionel Hampton did with swing or Milt Jacks ..more

Vince Guaraldi　

Vince Guaraldi, the widely acclaimed jazz pianist best known for his cheerful, uplifting work with Charlie Brown and the Peanuts Gang, got his start in the music biz with a record entitled ..more

Masaru Imada　

Gary Burton　

One of the two great vibraphonists to emerge in the 1960s (along with Bobby Hutcherson), Gary Burton’s remarkable four-mallet technique (best displayed on an unaccompanied version of No More Bl ..more

Level 42　

At the beginning of their career, Level 42 was squarely a jazz-funk fusion band, contemporaries of fellow Brit funk groups like Atmosfear, Light of the World, Incognito, and Beggar ＆ Co ..more

Allan Holdsworth　

Guitarist Allan Holdsworth was widely considered one of the finest instrumentalists in all of jazz fusion, yet never truly received the recognition that he so rightfully deserved. Born on August 6, ..more

Spyro Gyra　

Founded in 1974 by saxophonist Jay Beckenstein, Spyro Gyra have consistently been one of the commercially successfully pop-jazz groups of the past 30 years. The band became a full-time ventur ..more

PRISM　

Blue Mitchell　

Owner of a direct, lightly swinging, somewhat plain-wrapped tone that fit right in with the Blue Note label’s hard bop ethos of the 1960s, Blue Mitchell tends to be overlooked today perhaps beca ..more

Makoto Ozone　

Nakamoto Mari　

Robert Glasper　

Kikuchi Masabumi　

Masabumi Poo Kikuchi was a Japanese jazz pianist of legendary stature with a vast discography that ran the gamut from straight-up post-bop and vanguard classical to fusion recordings, solo synthe ..more

Kamasi Washington　

Kamasi Washington didn’t pick up a saxophone until he was 13 years old, but by that point, he’d already been playing several other instruments. That’s when he found his calling. Within a couple yea ..more

Joe Henderson　

Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-’60s, Joe Hender ..more

Melody Gardot　

The story of vocalist Melody Gardot is as remarkable as any who perseveres against abject adversity. Born in New Jersey in 1985, she took up piano and played as a youngster on the nightclub scene o ..more

Gonzalo Rubalcaba　

One of the most important figures to emerge from Afro-Cuban jazz in the ’90s, Gonzalo Rubalcaba is an extraordinarily versatile pianist able to blend disparate strands of Cuban and American {\ja ..more