Complete Studio Recordings 1972-1982

User Review ：3.5 points (10 reviews)

Release Date
06 Aug 2012
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Regular price (tax incl.): ¥8,127
Sale Price (tax incl.): ¥6,502 Save: ¥1,625(20%)
Multi Buy Price (tax incl.): ¥5,689 Save: ¥2,438(30%)

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Ends: 5/19 Selected Rock CDs 20% Off
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3 International Titles Get Up to 30% Off

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Item Details

Genre : Rock & Pop	Catalogue Number : W4402172
Number of Discs : 10	Label : Virgin
Release Country : Europe

Format :	CD

Other :	Limited, Box Collection

Roxy Music

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Product Description

Other Editions

The Complete Studio Recordings (Limited)
Import(Japanese Edition) ¥11,199 08 Aug 2012

The Complete Studio Recordings (List of All Editions)

HMV Review

Roxy Music have been remastered and boxed before but there's a simple elegance to The Complete Studio Recordings that suits the band. Containing nothing more than handsome remastered mini-LP reissues of the band's eight albums along with two discs of non-LP singles -- including Virginia Plain, two mixes of Pyjamarama, as well as several edits and mixes making their CD debut -- the 2012 box set lacks such expected frills as liner notes, an absence that is noted but not greatly missed, as the execution on this set is expert. Presentation was always key to Roxy Music, and The Complete Studio Recordings is frankly gorgeous, its mini-LPs housed in heavy cardboard sleeves, the outer box black and sleek, conveying the well-tailored sophistication of the band while placing emphasis directly on the music. Nicely remastered -- perhaps not a great revelation compared to the 1999 discs but warm, rich, and full, better overall -- the music is familiar yet fresh, still kinetic with imagination after all these years. Roxy's catalog roughly breaks down into pairs with two outliers: the early Eno-graced Roxy Music and For Your Pleasure, their artiest and strangest LPs; the muscular glam of Stranded and Country Life; the cool European disco of Manifesto and Flesh + Blood. There is also the 1975 transitional masterpiece Siren -- the bridge between art rock and art pop -- and the reserved swan song Avalon. The bonus material is unequally balanced, with the entirety of the second disc devoted to the early '80s and about a third of the first covering the Manifesto era, but it's all welcome, particularly the odd mixes and the essential early singles. Ultimately, the box itself is essential: Roxy Music are one of the rare rock bands with such an exquisitely carved catalog, and it shines in this setting. ~ Stephen Thomas Erlewine, Rovi

Content Description

Credit

Alan Spenner(Bass), Allan Schwartzberg(Drums), Andy Mackay(Saxophone), Andy Newmark(Drums), Brian Eno(Synthesizer), Bryan Ferry(Keyboards), Bryan Ferry(Piano), Bryan Ferry(Vocals), Eddie Jobson(Keyboards), Edwin Jobson(Keyboards), Edwin Jobson(Synthesizer), Gary Tibbs(Bass), Graham Simpson(Guitar (Bass)), John Gustafson(Bass), John Porter(Bass), Neil Hubbard(Guitar), Neil Jason(Bass), Paul Carrack(Keyboards), Paul Thompson(Drums), Phil Manzanera(Guitar), Simon Phillips(Drums), Andrew Mackay(Oboe), Edwin Jobson(Strings), London Welsh Male Choir(Choir, Chorus), Brian Eno(Tape), Chris Lawrence(String Bass), Paul Thompson(Tympani [Timpani]), Andy Hendriksen(Engineer), Bob Clearmountain(Engineer), Chris Thomas(Producer), Jimmy Douglass(Engineer), John Middleton(Engineer), John Punter(Engineer), Peter Sinfield(Producer), Phill Brown(Engineer), Randy Mason(Engineer), Rhett Davies(Engineer), Rhett Davies(Producer), Roxy Music(Arranger), Roxy Music(Producer), Steve Nye(Engineer), Andy Mackay(Composer), Bob Bowkett(Artwork), Bob Clearmountain(Mixing), Bryan Ferry(Art Direction), Bryan Ferry(Composer), Eddie Jobson(Composer), Eric Boman(Photography), John Lennon(Composer), ＪｏｈｎＬｅｎｎｏｎ(Composer), Karl Stoecker(Photography), Michael Sellers(Assistant Engineer), Nicholas Deville(Art Direction), Nicholas Deville(Artwork), Paul Nunn(Assistant Engineer), Paul Thompson(Composer), Phil Manzanera(Composer), Robert C. Ludwig(Mastering), Ross Cullum(Assistant Engineer), Sean Milligan(Assistant Engineer), Simon Puxley(Liner Notes), Steve Nye(Assistant Engineer), Wilson Pickett(Composer), Antony Price(Clothing/Wardrobe), Antony Price(Cover Art), Antony Price(Hair Stylist), Antony Price(Make-Up), Bob Bowkett(Cover Art), Bryan Ferry(Cover Art), Bryan Ferry(Cover Art Concept), Bryan Ferry(Lyricist), Cream(Cover Art), Graham Hughes(Cover Art), Jerry Hall(Cover Art), Neil Kirk(Cover Art), Nicholas Deville(Cover Art), Pierre LaRoche(Make-Up), Smile(Hair Stylist), Andrew Mackay(Treatments), Antony Price(Fashion Stylist), John Porter(Guest Appearance), Phil Manzanera(Treatments)

Track List

Disc 1

「Roxy Music」
01．

Re-make/Re-model
02．

Ladytron
03．

If There Is Something
04．

2HB
05．

The Bob (Medley)
06．

Chance Meeting
07．

Would You Believe?
08．

Sea Breezes
09．

Bitters End

Disc 2

「For Your Pleasure」
01．

Do The Strand
02．

Beauty Queen
03．

Strictly Confidential
04．

Editions Of You
05．

In Every Dream Home A Heartache
06．

The Bogus Man
07．

Grey Lagoons
08．

For Your Pleasure

※This is the list of tracks for Disc 1 and 2. To see the list of tracks for all discs click

Customer Reviews

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redfodera | 不明 | 不明 | 15/January/2013

ハイレゾ音源を楽しみに発売前から予約してました。仕様が2転3転して結局こういうセット内容になってしまったのは悔やまれ星4つにしましたが、フラット・トランスファーに関しては歓迎してます。リマスター・エンジニアの解釈で Cトーマス＆JパンターやBクリアマウンテンのサウンドメイクに修正や脚色が加えられて楽しめたかどうかは疑問ですから。オリジナルのアナログマスターのダイナミックレンジを活かすには2Bit程度のヘッドマージンは必要なので音圧が押さえ気味なのはある種必然です。リマスター版「AVALON」と比較すると細部のディテールやアーティキュレーションはずっとダイナミックです。コンプレッションでレベルが揃ってしまってデリケートな表現部分が失われることもありますから、フラット・トランスファーというマスタリングを選択したことを評価しています。

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gifu城 | 岐阜県 | 不明 | 28/December/2012

ロキシー、久方ぶりに全アルバムを聴きました。ずいぶん年を経て聴いても、ロキシーはやはりすばらしかった。LPのジャケットではシングルの袋だったものもすべて二つ折りになっていて、制作者の意気込みを感じます。さらに音質ですが、これまた素晴らしい。怒濤のように押し寄せる初期の暴力的な音も後期の洗練されたスマートな音もともに素晴らしい。ボリュームが低く抑えられて、あれっ、と思いますが不思議なことにボリュームを上げるほど表現力が増していきます。音が悪いと思われている方、ぜひ音量をあげてみてください。ブライアンフェリーもフィルマンザネラもアンディーマッケイも見事に蘇っています。私の感覚ではビートルズのリマスターよりもいい仕事がしてあると思います。70年代のデビッドボウイとともに燦然と輝いていたロキシーミュージックに再会できてうれしいです。ボウイは出ませんか？

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WEATHER BOX | 東京都 | 不明 | 01/November/2012

あくまで現時点では噂だが、ﾃﾞﾋﾞｭｰ40年を記念してBBCｾｯｼｮﾝ･ｱｳﾄﾃｲｸ･ﾃﾞﾓ音源に未発表写真を収録した1stｱﾙﾊﾞﾑのﾃﾞﾗｯｸｽ・ｴﾃﾞｨｼｮﾝのﾘﾘｰｽが計画されているという。ROXYのｱﾙﾊﾞﾑは全て名盤なのだから、全作にﾃﾞﾗｯｸｽ・ｴﾃﾞｨｼｮﾝが作られても何もおかしくはない。それならこのBOXは何の為のﾘﾘｰｽだったのだろう？彼ららしい美麗なﾌﾞｯｸﾚｯﾄも何もなく、ﾘﾏｽﾀｰ担当者のｸﾚｼﾞｯﾄもない。外箱はまだしも紙ｼﾞｬｹの質なら前にでた日本盤の方がはるかに出来がいい。ﾌﾗｯﾄ・ﾄﾗﾝｽﾌｧｰというﾘﾏｽﾀﾘﾝｸﾞの是非はともかく、この抑え気味の音圧に満足する人はどれ位いるだろう? ROXY関連の商品にこんな評価をしなければならない時代が来るとは･･･。大衆がどんどん音楽から離れていくのは当然である。

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