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Bryan Adams

CD Waking Up The Neighbours

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★★★★★ 4.5 points (9 reviews)


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  • Issued : 03 Aug 1991

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Item Details

Genre : Rock & Pop Catalogue Number : 750215367
Format : CD Label : A&M
Issued : 03 Aug 1991 Item sourced from : USA
Original Release Year : 1991   
Number of Discs : 1

Waking Up The Neighbours

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Other Versions

  • CD   GER Edition   ¥1,874   GER Import   Released: 18 Jun 1996  

HMV Review

Although not as good as Reckless, Bryan Adams' 1991 album, Waking up the Neighbours, signaled his commercial apex. Bridging the time gap between '80s arena rock and '90s angst-ridden grunge, the album also ushered in an era in which Adams became more known for his sweeping power ballads than his straight-ahead rock tunes. This album, filled with nearly 75 minutes of showstopping arena rockers and mid-tempo ballads, churned out no less than five hit singles, the most notable being the Robin Hood Prince of Thieves theme (Everything I Do) I Do It for You. That ballad spent seven weeks atop the U.S. pop charts, becoming the longest-reigning American chart-topper since Prince's When Doves Cry seven years earlier. The song also became a phenomenon in Europe, becoming Adams' biggest hit ever. Other singles which followed included the joyous rocker Can't Stop This Thing We Started, which became a number two hit, the mid-tempo ballads Do I Have to Say the Words and Thought I'd Died and Gone to Heaven, and the fun, straight-ahead rocker There Will Never Be Another Tonight. Waking up the Neighbours was co-produced by Robert Jon Mutt Lange, and as a result, many of these songs sound as though they could have easily been Def Leppard recordings, especially All I Want Is You, which sounds like Pour Some Sugar on Me part two. Nonetheless, Waking up the Neighbours is a fun album and perfect for those who expect nothing more than an old-fashioned good time from their rock & roll. ~ Jose F. Promis, All Music Guide

Credits

Bill Payne(Piano),  Bryan Adams(Guitar),  Bryan Adams(Vocals),  Dave Taylor(Bass),  Ed Shearmur(Keyboards),  Keith Scott(Guitar),  Larry Klein(Bass),  Mickey Curry(Drums),  Phil & Brenda Nicholas(Keyboards),  Tom Mandel(Piano),  Bill Payne(Organ (Hammond)),  Robbie King(Organ (Hammond)),  Tom Mandel(Organ (Hammond)),  Tuck Back Twins(Vocals (Background)),  Bryan Adams(Producer),  Nigel Green(Engineer),  Robert John Lange(Producer),  Bob Clearmountain(Mixing),  Phil & Brenda Nicholas(Programming)

Songs

  •   
    1
    Is Your Mama Gonna Miss Ya?  (04:40)
  •   
    2
    Hey Honey I'm Packin' You In!  (03:59)
  •   
    3
    Can't Stop This Thing We Started  (04:29)
  •   
    4
    Thought I'd Died and Gone to Heaven  (05:48)
  •   
    5
    Not Guilty  (04:12)
  •   
    6
    Vanishing  (05:03)
  •   
    7
    House Arrest  (03:57)
  •   
    8
    Do I Have to Say the Words?  (06:11)
  •   
    9
    There Will Never Be Another Tonight  (04:40)
  •   
    10
    All I Want Is You  (05:20)
  •   
    11
    Depend on Me  (05:07)
  •   
    12
    (Everything I Do) I Do It for You  (06:34)
  •   
    13
    If You Wanna Leave Me (Can I Come Too?)  (04:43)
  •   
    14
    Touch the Hand  (04:05)
  •   
    15
    Don't Drop That Bomb on Me  (05:58)

Customer Reviews

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  • ★★★★★ 

    びるぼーず  |  不明  |  不明  |  14/November/2010

    前作のセールス的不振からか売れ線狙いに回帰したアルバム。サントラ収録で先行カットのT Do It For YouがWe Are The Wolrd以来のシングルセールスを記録するメガヒットシングルに。その後もシングルヒットを連発した事もありロングセラーを続けた。本作は当時全米で400万枚のセールスを記録。結果的にこれまでの最大ヒット作で全米ナンバー1にもなったレックレスと同等以上のセールスを叩き出した。個人的にプロデューサーのマット ラングの曲や音は大好きなんだけど、ブライアン本来の個性を潰してしまっているのは否めない。それでも個人的に本作中で大好きなGone To Heavenや Do T Have To Say〜などのツボを抑えたヒットシングルを生み出したのは2人のコンビネーションが見事に噛み合った証拠でしょう。まぁ、私的にはレックレスよりもこちらの方が全然好みですが・・・。

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  • ★★★★★ 

    ソニー・クロケット  |  千葉県  |  40year  |  08/April/2010

    Bryanの「らしさ」全開で待ってましたの15曲。私的にはアーティストとして成長する為、前作の路線(続編的)を貫いても良いと思ってたが、本人は1度出来上がったアルバムをボツにして1から作り直したという力作!私のお気に入りはBalladの新境地を築いたM8(コーラスがデフ・レパっぽいが・・)M7はLiveのオープニング・ナンバーだったがイントロが前作収録の「Hearts.On.Fire」そっくりというかそのまんまですな。米、英で年間No.1に輝くM12以外にもRockやBalladの名曲満載、てんこ盛りの75分。

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  • ★★★☆☆ 

    bonovox  |  福岡県  |  30year  |  30/May/2009

    前作の不評(誰だ?そう言ったのは!)からか、大そうなアルバムを作ってしまいましたね。 デフ・レパードで飛ぶ鳥を落としまくっていたジョン・マット・ランジをプロデューサーに起用したから、音が完全にデフ・レパードそのまんま状態。 聴いていて疲れるのに加え曲数も多すぎ。 良い楽曲も多数あるだけに、ここまで長尺&コテコテ・サウンドにしなければ、もっと素敵なアルバムになったはずなのに。。。 でもセールス的には完全に前作を上回り、キャリア安泰の絶対性を確保しましたね。 ま、ファンとしては少し複雑なんですけどね

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