points (46 reviews)
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- Multibuy special price (tax incl.) : ¥1,463
- You Save : ¥627
- Online Member Price (tax incl.) : ¥1,923
- Regular price (tax incl.) : ¥2,090
- Issued : 24 Aug 1998
- Availability : In Stock - usually sent within 24 hours
- Available for Weekday Expedited Shipping : Thursday of February Limited! Weekday Expedited Shipping 500 Yen worth Point Back Campaign. It is detailed See details
- Point : 1points / 100yen
Item Details
| Genre : | Dance & Soul | Catalogue Number : | CK69035 |
|---|---|---|---|
| Format : | CD | Label : | Columbia |
| Issued : | 24 Aug 1998 | Item sourced from : | USA |
| Number of Discs : | 1 | ||
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Other Versions
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UK Edition
¥1,391
UK Import
Released: 25 Sep 1998
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Japan Edition
¥2,520
Released: 21 Oct 1998
HMV Review
Rolling Stone (5/13/99, p.79) - Included in Rolling Stone's "Essential Recordings of the 90's."
Q Magazine (10/01, p.68) - Ranked #25 in Q's "Best 50 Albums of Q's Lifetime"
Spin (9/99, p.132) - Ranked #28 in Spin Magazine's "90 Greatest Albums of the '90s."
Q Magazine (12/99, p.100) - Included in Q Magazine's "90 Best Albums Of The 1990s."
Entertainment Weekly (Spring 2000, p.166) - Ranked #2 in EW's "Top 10 albums of the '90s"
Spin (1/99, p.91) - Ranked #1 on Spin's list of "Top 20 Albums of '98."
The Source (9/98, p.230) - "...Thoughtful, passionate, purposeful and unmistakably female....Small complaints, not even worth sweating when the overall emotional and musical effect is potent..."
Rap Pages (11/98, p.130) - 4 (out of 5) - "...Choosing to display all of her talent, songwriting ability, Lauryn pushes rap aside, opting to sing more....Lauryn's attempt to intellectualize pain and love in word without sacrificing emotion in song is daring and creative..."
Rolling Stone (9/3/98, p.98) - 4 Stars (out of 5) - "...The sound of a woman who takes herself seriously....It's an album...that you could play at a family reunion, or any sort of multigenerational party, and get everyone bouncing and singing along, without anyone ever having to cringe..."
Spin (9/98, pp.179-180) - 9 (out of 10) - "...the confidence with which Hill sings and raps herself into black music's mammoth tradition...is balanced by the vulnerability of one of MISEDUCATION's two themes: a love gone wrong, untangling itself painfully and slow....Part of her greatness is that this genre-bender has never feared sentiment..."
Muzik (12/98, p.94) - 5 stars out of 5 - "...a superb collection of rhymes and beats and fresh lyrics that show how a good album should be recorded..."
CMJ (1/11/99, p.3) - "...The jeep-bumping beats helped the album push platinum, but the potent, emotive songwriting made it an across-the-board pop milestone..."
Entertainment Weekly (9/4/98, pp.79-80) - "...Easily flowing from singing to rapping, evoking the past while forging a future of her own, Hill has made an album of often-astonishing power, strength, and feeling..." - Rating: A
Q Magazine (10/01, p.68) - Ranked #25 in Q's "Best 50 Albums of Q's Lifetime"
Spin (9/99, p.132) - Ranked #28 in Spin Magazine's "90 Greatest Albums of the '90s."
Q Magazine (12/99, p.100) - Included in Q Magazine's "90 Best Albums Of The 1990s."
Entertainment Weekly (Spring 2000, p.166) - Ranked #2 in EW's "Top 10 albums of the '90s"
Spin (1/99, p.91) - Ranked #1 on Spin's list of "Top 20 Albums of '98."
The Source (9/98, p.230) - "...Thoughtful, passionate, purposeful and unmistakably female....Small complaints, not even worth sweating when the overall emotional and musical effect is potent..."
Rap Pages (11/98, p.130) - 4 (out of 5) - "...Choosing to display all of her talent, songwriting ability, Lauryn pushes rap aside, opting to sing more....Lauryn's attempt to intellectualize pain and love in word without sacrificing emotion in song is daring and creative..."
Rolling Stone (9/3/98, p.98) - 4 Stars (out of 5) - "...The sound of a woman who takes herself seriously....It's an album...that you could play at a family reunion, or any sort of multigenerational party, and get everyone bouncing and singing along, without anyone ever having to cringe..."
Spin (9/98, pp.179-180) - 9 (out of 10) - "...the confidence with which Hill sings and raps herself into black music's mammoth tradition...is balanced by the vulnerability of one of MISEDUCATION's two themes: a love gone wrong, untangling itself painfully and slow....Part of her greatness is that this genre-bender has never feared sentiment..."
Muzik (12/98, p.94) - 5 stars out of 5 - "...a superb collection of rhymes and beats and fresh lyrics that show how a good album should be recorded..."
CMJ (1/11/99, p.3) - "...The jeep-bumping beats helped the album push platinum, but the potent, emotive songwriting made it an across-the-board pop milestone..."
Entertainment Weekly (9/4/98, pp.79-80) - "...Easily flowing from singing to rapping, evoking the past while forging a future of her own, Hill has made an album of often-astonishing power, strength, and feeling..." - Rating: A
More info
【1998 - 41st Grammy Award Album Of The Year】
【1998 - 41st Grammy Award Best New Artist】
Credits
Al Anderson(Guitar), Ａｌ Ａｎｄｅｒｓｏｎ(Guitar), Andrew Smith(Guitar), Bud Beadle(Flute), Bud Beadle(Sax (Alto)), Bud Beadle(Sax (Tenor)), Carlos Santana(Guitar), Christopher Meredith(Bass), D'angelo(Vocals), Dean Fraser(Sax (Tenor)), Don-E(Piano), Earl "Chinna" Smith(Guitar), Everol Ray(Trumpet), Fayyaz Virji(Trombone), Francis Dunnery(Guitar), James Poyser(Organ), James Poyser(Piano (Electric)), Jared "Chocolate" Crawford(Drums), Johari Newton(Guitar), John Stephens(Piano), Julian Marley(Guitar), Kevin Robinson(Trumpet), Lauryn Hill(Guitar), Lauryn Hill(Vocals), Lori Holland(Clarinet), Lori Holland(Organ), Lori Holland(Piano (Electric)), Mary J. Blige(Vocals), Matthew Rubano(Bass), Nambo Robinson(Trombone), Paul Fakhourie(Bass), Robert Browne(Guitar), Rudy Byrd(Percussion), Squiddly Ranks(Drums), Stewart Zender(Bass), Tejumold Newton(Piano), Tom Barney(Bass), Ahmed Wallace(Vocals (Background)), Andrea Simmons(Vocals (Background)), Chuck Young(Vocals (Background)), D'angelo(Fender Rhodes), Don-E(Fender Rhodes), Don-E(Organ (Hammond)), Earl "Chinna" Smith(Vocals (Background)), Earl Robinson(Vocals (Background)), Eddie Stockley(Vocals (Background)), Elisabeth Valletti(Harp), Fundisha Johnson(Vocals (Background)), Grace Paradise(Harp), Indigo Quartet(Strings), James Poyser(Fender Rhodes), Jennifer McNeil(Vocals (Background)), Kenny O. Bobien(Vocals (Background)), Kevin Robinson(Flugelhorn), Lauryn Hill(Vocals (Background)), Lenesha Randolph(Vocals (Background)), Lori Holland(Fender Rhodes), Lori Holland(Organ (Hammond)), Racheal Wilson(Vocals (Background)), Rasheem "Kio" Pugh(Vocals (Background)), Sabrina Johnston(Vocals (Background)), Tara Wilkons(Vocals (Background)), Don-E(Wurlitzer), James Poyser(Celeste), James Poyser(Harpsichord), James Poyser(Moog Bass), James Poyser(Synthesizer Bass), James Poyser(Wurlitzer), Lori Holland(Wurlitzer), Che Guevara(Producer), Chris Theis(Engineer), Commissioner Gordon(Engineer), John Wydrycs(Engineer), Johnny Wydrycz(Engineer), Johnny Wyndrx(Engineer), Ken Johnston(Engineer), Lauryn Hill(Arranger), Lauryn Hill(Producer), Matt Howe(Engineer), Storm Jefferson(Engineer), Tony Prendatt(Engineer), Vada Nobles(Producer), Warren Riker(Engineer), Brian Vibberts(Assistant Engineer), Che Guevara(Drum Programming), Che Pope(Programming), Chip Verspyck(Assistant Engineer), Commissioner Gordon(Mixing), Devon Kirkpatrick(Assistant Engineer), Earle Brown(Assistant Engineer), Eric Johnson(Photography), Errol Brown(Assistant Engineer), Erwin Gorostiza(Art Direction), Greg Thompson(Assistant Engineer), Herb Powers(Mastering), Jamie Seigal(Assistant Engineer), L.A. Hill(Composer), Lauryn Hill(Art Direction), Lauryn Hill(Executive Producer), Marc Baptiste(Photography), Neil Tucker(Assistant Engineer), Robert Williams(Assistant Engineer), Storm Jefferson(Assistant Engineer), Vada Nobles(Drum Programming), Warren Riker(Mixing), Wyclef Jean(Composer), Anita Gibson(Make-Up), Debra Ginyard(Stylist), Derek Khan(Stylist), Devon Kirkpatrick(Digital Editing), Dj Supreme(DJ), Tameka Foster(Stylist), Veronica Fletcher(Hair Stylist), Ramon Rivera, Shelly Thunder
Songs
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1Intro
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2Lost Ones (05:33)
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3Ex-Factor (05:26)
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4To Zion - (featuring Carlos Santana) (06:09)
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5Doo Wop (That Thing) (05:20)
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6Superstar (04:57)
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7Final Hour (04:16)
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8When It Hurts So Bad (05:42)
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9I Used to Love Him - (featuring Mary J. Blige) (05:39)
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10Forgive Them Father (05:15)
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11Every Ghetto, Every City (05:14)
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12Nothing Even Matters - (featuring D'Angelo) (05:50)
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13Everything Is Everything (04:53)
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14Miseducation of Lauryn Hill, The (04:17)
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15Can't Take My Eyes Off of You - (hidden track) (03:41)
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16Sweetest Thing - (Mahogany Mix, hidden track) (04:40)
Customer Reviews
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りゅう | 福岡県 | 不明 | 30/May/2009
音楽通を唸らせるゲスト陣の豪華さも物凄かったが、やはりその内容はそれ以上の出来。ヴォーカルのダルさの中にもこの切れのあるビートは当時のブラック・ミュージックの枠では収まりきれない才能を感じた傑作。とにかくバカ売れしたアルバム。今どうしてるのかな？このままいなくなるには勿体無い。0 people agree with this review
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tsuwifeji | 豪徳寺 | 不明 | 21/March/2008
凄く充実したアルバム。凄い充実っぷり！1 people agree with this review
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