points (62 reviews)
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- Multibuy special price (tax incl.) : ¥1,058
- You Save : ¥454
- Online Member Price (tax incl.) : ¥1,391
- Regular price (tax incl.) : ¥1,512
- Issued : 31 Jan 2000
- Availability : In Stock - usually sent within 24 hours
- Available for Weekday Expedited Shipping : Thursday of February Limited! Weekday Expedited Shipping 500 Yen worth Point Back Campaign. It is detailed See details
- Point : 1points / 100yen
Item Details
| Genre : | Rock & Pop | Catalogue Number : | 4965252 |
|---|---|---|---|
| Format : | CD | Label : | Epic /sony Music |
| Issued : | 31 Jan 2000 | Item sourced from : | Europe |
| Original Release Year : | 2000 | ||
| Number of Discs : | 1 | ||
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Other Versions
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Japan Edition
¥2,520
Released: 19 Jan 2000
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US Edition
¥2,309
US Import
Released: 02 May 2000
HMV Review
Q Magazine (7/01, p.90) - Included in Q's "50 Heaviest Albums of All Time".
Q Magazine (1/01, p.93) - Included in Q's "50 Best Albums of 2000".
Wire (1/01, p.34) - Included in Wire's "50 Records Of The Year".
Magnet (1-2/01, p.45) - Included in Magnet's "20 Best Albums of 2000" - "...Hypnotic, frenzied songs...reinvigorate tired pop standards and introduce a new world order..."
NME (12/30/00, p.77) - Rated #2 in NME's "Top 50 Albums Of The Year [2000]".
Alternative Press (11/00, p.144) - Included in AP's "10 Essential Political-Revolution Albums"
CMJ (1/08/01, p.17) - Included in CMJ's "Best of the Year" for 2000.
Rolling Stone (5/11/00, p.131) - 4 stars out of 5 - "...A sober, brutally visceral experience....This is one ball of aggression that hangs together, thanks to the band's smarts and funk. Just call XTRMNTR the BATTLE OF LONDON."
Q Mqagazine (3/00, p.110) - 4 stars out of 5 - "...a darkly uncompromising and often difficult record: uneasy, sinister and, in layman's terms, a bloody racket....anyone with the first notion about rock'n'roll will catch thye whiff authentic mayhem here....as avant-garde as the mainstream gets..."
Mojo (2/00, p.87) - "...a continuation of that sub-basement tapes attitude, frayed memories of revolutionary music...crafted into a rare kind of discordant anti-pop malevolence....Brutal, aggressive [and] subterranean..."
NME (2/14/00, p.44) - "...obligatory, heavy, urban and set out to take the strain of a world at war with itself. Their finest music since SCREAMADELICA set an early high-water mark, and in dealable quantities, there was even jazz, too. Trrfc."
Alternative Press (5/00, p.75) - 4 out of 5 - "...a Baskin-Robbins shop that makes 31 flavors of amphetamine sulfate instead of ice cream: each flavor is totally wired and totally tasty..."
Entertainment Weekly (5/19/00, p.74) - "...Mixes thunderous big beats and red-alert synth squalls into a loose concept album that rails against political oppression and other evils....the U.K.'s most adventurous pop band-turned-white-noise addicts." - Rating: B+
CMJ (5/00, p.67) - "...They've ratcheted up the intensity quite a bit this time around....loud, kinetic bass and keyboards, a menacing mix of abrasive squeals, block-rockin' beats and post-'Blue Monday' electropop..."
Q Magazine (1/01, p.93) - Included in Q's "50 Best Albums of 2000".
Wire (1/01, p.34) - Included in Wire's "50 Records Of The Year".
Magnet (1-2/01, p.45) - Included in Magnet's "20 Best Albums of 2000" - "...Hypnotic, frenzied songs...reinvigorate tired pop standards and introduce a new world order..."
NME (12/30/00, p.77) - Rated #2 in NME's "Top 50 Albums Of The Year [2000]".
Alternative Press (11/00, p.144) - Included in AP's "10 Essential Political-Revolution Albums"
CMJ (1/08/01, p.17) - Included in CMJ's "Best of the Year" for 2000.
Rolling Stone (5/11/00, p.131) - 4 stars out of 5 - "...A sober, brutally visceral experience....This is one ball of aggression that hangs together, thanks to the band's smarts and funk. Just call XTRMNTR the BATTLE OF LONDON."
Q Mqagazine (3/00, p.110) - 4 stars out of 5 - "...a darkly uncompromising and often difficult record: uneasy, sinister and, in layman's terms, a bloody racket....anyone with the first notion about rock'n'roll will catch thye whiff authentic mayhem here....as avant-garde as the mainstream gets..."
Mojo (2/00, p.87) - "...a continuation of that sub-basement tapes attitude, frayed memories of revolutionary music...crafted into a rare kind of discordant anti-pop malevolence....Brutal, aggressive [and] subterranean..."
NME (2/14/00, p.44) - "...obligatory, heavy, urban and set out to take the strain of a world at war with itself. Their finest music since SCREAMADELICA set an early high-water mark, and in dealable quantities, there was even jazz, too. Trrfc."
Alternative Press (5/00, p.75) - 4 out of 5 - "...a Baskin-Robbins shop that makes 31 flavors of amphetamine sulfate instead of ice cream: each flavor is totally wired and totally tasty..."
Entertainment Weekly (5/19/00, p.74) - "...Mixes thunderous big beats and red-alert synth squalls into a loose concept album that rails against political oppression and other evils....the U.K.'s most adventurous pop band-turned-white-noise addicts." - Rating: B+
CMJ (5/00, p.67) - "...They've ratcheted up the intensity quite a bit this time around....loud, kinetic bass and keyboards, a menacing mix of abrasive squeals, block-rockin' beats and post-'Blue Monday' electropop..."
Credits
Duncan Mackay(Recorder), Jim Hunt(Recorder), Andrew Innes(Engineer), Andrew Innes(Producer), Andy Wilkinson(Engineer), Brendan Lynch(Producer), David Holmes(Producer), Duncan Mackay(Producer), Gary Mounfield(Engineer), Gary Mounfield(Producer), Jagz Kooner(Producer), Jim Hunt(Producer), Martin Duffy(Engineer), Martin Duffy(Producer), Max Hayes(Engineer), Robert Young(Engineer), Robert Young(Producer), Tim Holmes(Producer), Adrian Sherwood(Mixing), Andrew Innes(Composer), Cheeky Paul(Editing), Duncan Mackay(Composer), Gary Mounfield(Composer), Hugoth Nicolson(Mixing), Jagz Kooner(Mixing), Jagz Kooner(Programming), Jim Hunt(Composer), Keith Tenniswood(Drum Programming), Kevin Shields(Mixing), Martin Duffy(Composer), Phil Mossman(Mixing), Robert Young(Composer), Robert Young(Composer), Bernard Sumner, Gay-Yee Westerhoff
Songs
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1Kill All Hippies (04:57)
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2Accelerator (03:41)
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3Exterminator (05:49)
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4Swastika Eyes (Jagz Kooner Mix) (07:05)
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5Pills (04:17)
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6Blood Money (07:03)
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7Keep Your Dreams (05:24)
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8Insect Royalty (03:35)
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9Mbv Arkestra (If They Move Kill Em) (06:41)
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10Swastika Eyes (Chemical Brothers Mix) (06:33)
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11Shoot Speed/Kill Light (05:19)
Customer Reviews
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vdm | 愛知県 | 不明 | 16/January/2011
#2 Accerelatorは文句なしにカッコいい。 これはパンクではない。 とか言ってる方もいますが、本来パンクはサウンド上でのジャンルではなく、既成の体制を突き抜くアンチなわけだからその意味ではこのアルバムは間違いなくパンク。0 people agree with this review
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0 people agree with this review
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JOKO | 不明 | 03/May/2009
'00年発表｡ｸﾞﾗｽｺﾞｰのｷﾞﾀｰ･ﾊﾞﾝﾄﾞとしてｽﾀｰﾄし､幾度となく変節漢だの風見鶏だのと呼ばれながらも､ﾎﾞﾋﾞｰとその仲間はこんなに遠くまで来てしまった｡ｽﾘﾙとｻｽﾍﾟﾝｽにあふれたこの6枚目のｱﾙﾊﾞﾑのただならぬ緊張感に触れて見回すと､あたりはひとつの船影すら見えない大海原｡あるいは孤高の地と言うべきか｡もちろん｢前作からさらにｴﾚｸﾄﾛﾆｶに傾倒した｣というような説明ができないわけではないが､これまでの彼らの変遷があったからこそ至った音であることは疑いようもない｡憧れの音楽に向かって､あっちにﾌﾗﾌﾗ､こっちにﾌﾗﾌﾗしていたかに見えて､その旅は自分たちだけの音を求め､研ぎ澄ましていくﾌﾟﾛｾｽだった｡｢ｽｸﾘｰﾏﾃﾞﾘｶ｣のｱｼｯﾄﾞな陶酔が､｢ｷﾞｳﾞ･ｱｳﾄ〜｣のｵｰｶﾞﾆｯｸなｸﾞﾙｰｳﾞが､｢ﾊﾞﾆｼﾝｸﾞ･ﾎﾟｲﾝﾄ｣のﾀﾞﾋﾞｰな虚無的熱気が､すべて流れ込んだ本作は､なんでもｱﾘに見えてﾌﾟﾗｲﾏﾙでしかありえない純度の高さで胸を打つ｡ ｢絶滅させる者｣というﾀｲﾄﾙどおり､陰惨でおどろおどろしい空気が全体を包む｡激しく殺気立ったｻｳﾝﾄﾞからは怒りが湧き上がらんばかり｡NATOの空爆やﾄﾞﾗｯｸﾞなどについて歌った歌詞も然り｡しかし､その根底には､自分の純粋な魂を守れ､つねに自分自身であれというﾎﾞﾋﾞｰの一途な叫びがある｡戦場のように描かれる舞台で0 people agree with this review
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