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Weezer

CD Raditude (2CD Deluxe Edition)

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★★★★☆ 4 points (5 reviews)


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  • Issued : 02 Nov 2009

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Item Details

Genre : Rock & Pop Catalogue Number : 2723083
Format : CD Label : Geffen
Issued : 02 Nov 2009 Item sourced from : International
Number of Discs : 2
Other : Special Edition (Deluxe)

Raditude (2CD Deluxe Edition)

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HMV Review

If Weezer's 2008 eponymous Red Album was all about singer/songwriter Rivers Cuomo coming to terms with heading into middle age, then 2009's Raditude finds Cuomo looking back upon his own carefree, dirt bike-riding youth and writing songs about it, but filtered through the eyes of Weezer's younger fans. In that sense, Raditude comes off as a kind of Big Chill-esque concept album for Gen-Y kids who grew up in the '90s. To these ends, Cuomo packs these largely poppy and rockin' songs with concrete images and cultural references that are just slightly warped and out of phase with his own generational timeline. As on the driving, '60s-soul inflected opening track (If You're Wondering If I Want You To) I Want You To, Cuomo croons to his teenage girlfriend, Your Slayer t-shirt fit the scene just right and later, We watched Titanic and it didn't make us sad. The Titanic reference is clearly a touchstone for any Gen-Y kid, and even the Slayer shout-out -- though an '80s metal band -- seems to imply a '90s teen wearing her older brother's worn-out t-shirt. At first, the song seems to be a sophomoric and jokey make-out track hinging on the line, So make a move 'cuz I ain't got all night. However, the song ends with the teen couple staring at each other as grown-ups in a troubled marriage with nothing left to say to fix their problems but, make a move 'cuz I ain't got all night. The ironic ending only backs up the notion that Cuomo, having worked through his own mid-life crisis on the Red Album, now has his aging Gen-Y fans and their issues on his mind. Musically, Raditude really sounds like vintage Weezer, but never in a pandering, played-out way. In that sense, we get the band's now-classic mix of old-school '50s pop with big, hooky '70s rawk guitars, and tracks like sublimely power poppy I'm Your Daddy, and the cheeky glitter rock-inspired anthem The Girl Got Hot are as sparkling with creative enthusiasm as anything the band has done since Buddy Holly. Similarly, tracks that include the slight hip-hop and R&B touches the band has favored in recent years fit perfectly into the sound of an album crafted for an audience who came of age in the late '90s and early '00s. Even the much anticipated party-rap song Can't Stop the Partying featuring rapper Lil Wayne is a dark, minor-key rumination on the downside of living it up on the party circuit and is the furthest thing from white-guy novelty-rap goofiness. Ultimately, it's Weezer's deft mixing of immediately hummable rock with lyrics that reveal Cuomo's own melancholy gaze on the pop landscape that makes Raditude a passionate surrender to growing up and a throw-your-arms-up-and-scream ride down the other side of the mid-life roller coaster. [Weezer's Raditude Deluxe Edition includes a bonus disc with four extra tracks.] ~ Matt Collar, Rovi

Credits

Aaron Supilizio(Bass),  Amrita Sen(Vocals),  Jacknife Lee(Guitar),  Jacknife Lee(Keyboards),  Jacknife Lee(Percussion),  Jacknife Lee(Vocals),  Josh Freese(Drums),  Nishat Khan(Vocals),  Sim Grewall(Percussion),  Nishat Khan(Sitar),  Ananda Sen(Producer),  Butch Walker(Producer),  Doug McKean(Engineer),  Dr. Luke(Producer),  Jacknife Lee(Producer),  Jake Sinclair(Engineer),  Joe Zook(Engineer),  Sam Bell(Engineer),  Shawn Everett(Engineer),  Shawn Everett(Producer),  Tom McFall(Engineer),  Andy Mueller(Art Direction),  Andy Mueller(Design),  Butch Walker(Composer),  Charlie Stavish(Mixing Assistant),  Dave Collins(Mastering),  Jacknife Lee(Programming),  Jason Neely(Photography),  Jermaine Dupri(Composer),  Johannes Gamble(Art Direction),  Johannes Gamble(Design),  Karl Koch(Photography),  Kazuhiro Hara(Composer),  Lukasz "Dr. Luke" Gottwald(Composer),  Nick Wheeler(Composer),  Patrick Wilson(Composer),  Rich Costey(Mixing),  Rivers Cuomo(Composer),  Sean Murphy(Photography),  Serban Ghenea(Mixing),  Tyson Ritter(Composer),  Tim Roberts(Assistant),  Evan Peters(A&R),  Henry Trejo(Guitar Technician),  Luke Wood(A&R),  Mike Fasano(Drum Technician),  Rod MacSween(Booking),  Thom Panunzio(A&R)

Songs

Disc   1

  •   
    1
    If You're Wondering If I Want You To I Want You To
  •   
    2
    I'm Your Daddy
  •   
    3
    Girl Got Hot, The
  •   
    4
    Can't Stop Partying
  •   
    5
    Put Me Back Together
  •   
    6
    Tripping Down The Freeway
  •   
    7
    Love Is The Answer
  •   
    8
    Let It All Hang Out
  •   
    9
    In The Mall
  •   
    10
    I Don't Want To Let You Go
  •   
    11
    Turn Me Round

Disc   2

  •   
    1
    Get Me Some
  •   
    2
    Run Over By A Truck
  •   
    3
    Prettiest Girl In The Whole Wide World, The
  •   
    4
    Underdogs, The

Customer Reviews

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  • ★★★★☆ 

    madman  |  東京都  |  不明  |  25/November/2009

    '09年発表。キャリア通算7作目にあたる本作。前作ではリヴァースの絶対君主体制を崩し、メンバー個々がソングライトに携わると言うチャレンジを行い。新風を感じさせてくれていたが、今回ではさらに、多くの他のアーティストと積極的にコラボレーションを行っている。その中にはジャーメイン・デュプリのような意外なメンツも。プロデューサーを務めるブッチ・ウォーカーと共に手掛けたBを始め、フレッシュでグルーヴィーな楽曲満載。良い意味で初心に返ったかのように初々しい作品に。

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  • ★★★☆☆ 

    EK  |  和歌山県  |  不明  |  15/November/2009

    オルタナティヴ、エモの名盤であった1stがパワーポップとして紹介されてしまい、それがマイナーなジャンルであったため、大半の人間はWeezerのような音楽をパワーポップだと解釈するようになってしまった。一時期日本のwikipediaにはweezerの欄に「パワーポップというジャンルを確立し」なんて文章があったのも事実だ。 さて、今作もやはりパワーポップ的要素なんて殆どなく、Weezerが作ったポップ・ロックの良作というのが妥当な所であり、下のレビューのようにこれを純粋なパワーポップだと思っている人間が意外に多く居るのは実にもったいない事である。

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  • ★★★★★ 

    スザンヌ・ジェイミー  |  東京都  |  不明  |  09/November/2009

    内に籠り、イジイジと、悶々としているのがこれまでのリヴァースのアイデンティティであり魅力だったが ここ数年はどんどん外に向かっていってる感じのリヴァース社交派バージョン。 そして、変化を求めようという姿勢が強く表れたのが前作RED ALBUMだったが、 正直、他のメンバーが作って歌った曲はアルバムに溶け込まず、 アルバムの最後の方にオマケの曲が並んでるなといった具合で消化不良だった。 「Pork & Beans」や「The Greatest Man〜」など前半は素晴らしい曲が並んでおり、 またデラックス盤だけに入っている曲にも名曲が多かっただけに余計にそれが残念だったが、 今回は「変わろう」「新しいことをやろう」という前作からの姿勢が、 結果として作品を素晴らしいものにさせた最初のアルバムだと言える。 これまでありそうになかったアップテンポで跳ねるようなシングル#1をはじめとして、 #2では王道weezer節ながら間奏にエレクトロなシンセ音。 そして#4は今時のエレクトロヒップホップ風なサウンドにリル・ウェインのラップ。 他にもオールアメリカンリジェクツのメンバーと共作した激エモナンバー#5、 インド風な#7、ハードロックな#9、浮遊感のある美メロポップな#10など新機軸が多数ありつつも すべてが「weezerらしい」と言える素晴らしい冒険作。 個人的には#4をシングルカットしてほしいところ。

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