Henze, Hans Werner (1926-) ( Hans Werner Henze )
Gogo No Eiko: Albrecht / Rai National So 緑川まり 高橋淳 三原剛 小森輝彦
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- Issued : 20 Nov 2009
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Item Details
| Genre : | Classical | Catalogue Number : | ORFEOR794092 |
|---|---|---|---|
| Format : | CD | Label : | Orfeo D'or *cl* |
| Issued : | 20 Nov 2009 | Item sourced from : | Germany |
| Number of Discs : | 2 | ||
| Other : | Live Recording | ||
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HMV Review
(Das verratene Meer, Revision 2003 -Musikdrama in zwei Akten von Hans-Ulrich Treichel nach dem Roman Gogo no Eiko "Der Seemann, der die See verriet" von Yukio Mishima)
Mari Midorikawa (Fusako Kudora - Sopran)
Jun Takahashi (Noboru, auch "Nummer Drei" genannt - Tenor)
Tsuyoshi Mihara (Ryuji Tsukazaki - Bariton)
Teruhiko Komori (Nummer Eins, Anfuhrer der Jungenbande - Bariton)
Zvi Emanuel-Marial (Nummer Zwei - Altus)
Kwang-Il Kim (Nummer Vier - Bariton)
Yasushi Hirano (Nummer Funf - Bas)
Orchestra Symphonica Nazionale della RAI (Orchester)
Gerd Albrecht (Dirigent)
First staged in 1990, Hans Werner Henze’s opera Das verratene Meer is based on Yukio Mishima’s novel Gogo no eiko (The Sailor who Fell from Grace with the Sea) and harks back to the traditions of literary naturalism and the verismo of early 20th-century music theatre. At the suggestion of the conductor Gerd Albrecht, Henze prepared a Japanese version of the score that was performed for the first time in Salzburg in 2006. Under Albrecht’s direction, the Orchestra Sinfonica Nazionale della RAI gave a sympathetic account of an iridescent score that ranges from exotic reminiscences of Japan to the impressions of a large city and from the atmospheric portrait of a doomed love story to a drama about juvenile violence, all of which strands are tightly interwoven right up to the moment of the final fatal confrontation in the closing scene of the opera. The cast includes three outstanding singing actors, the soprano Mari Midorikawa, the tenor Jun Takahashi and the baritone Tsuyoshi Mihara, all of whom create gripping portraits of the widow Fusako Kuroda, her thirteen-year-old son and the boy’s stepfather. The recording affords further proof of the Salzburg Festival’s ongoing commitment to broadening its repertory and to its desire to juxtapose the old and the new in thrilling ways that never compromise on quality.
(orfeo)













