points (6 reviews)
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- Special price for online members (tax inc.) : ¥2,116
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Item Details
| Genre : | Rock & Pop | Catalogue Number : | 8122.78900 |
|---|---|---|---|
| Format : | CD | Label : | Rhino |
| Issued : | 10 Jul 2004 | Item sourced from : | Europe |
| Original Release Year : | 1973 | ||
| Number of Discs : | 1 | ||
| Other : | Studio Recording, Remaster | ||
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HMV Review
Personnel: Paul Simon (vocals, guitar); Jimmy Johnson (electric guitar); Bobby James (keyboards); Pete Carr, Cornell Dupree, David Spinozza, Alexander Gafa, Jerry Pucket (guitar); The Onward Brass Band (horns); Bobby Scott, Paul Griffin (piano); Carson Witsett (organ); Barry Beckett (keyboards, vibraphone); Don Elliott (vibraphone); David Hood, Gordon Edwards, Bob Cranshaw, Vernie Robbins, Richard Davis (bass); Roger Hawkins, Rick Marotta, James Straud (drums); Rev. Claude Jeter (background vocals).
Producers: Paul Simon, Phil Ramone, The Muscle Shoals Sound Rhythm Section, Paul Samwell-Smith, Roy Halee.
Engineers: Phil Ramone, Jerry Masters, Roger Quested, Gerald Stephenson.
Recorded at Muscle Shoals Sound Studios, Alabama and Morgan Studios, London, England.
Personnel: Paul Simon (vocals, guitar); Cornell Dupree, David Spinozza, Jerry Puckett, Pete Carr, Alexander Gafa (guitar); Jimmy Johnson (electric guitar); Onward Brass Band (horns); Paul Griffin, Bobby Scott (piano); Carson Whitsett (organ); Barry Beckett (keyboards, vibraphone); Bobby James (keyboards); Don Elliot (vibraphone); David Hood, Gordon Edwards, Richard Davis, Vernie Robbins, Bob Cranshaw (bass guitar); Rick Marotta, Roger Hawkins, James Straud (drums); Reverend Claude Jeter (background vocals).
Producers: Paul Simon; Phil Ramone; The Muscle Shoals Horns; Paul Samwell-Smith; Roy Halee.
Engineers: Phil Ramone; Jerry Masters; Roger Quested; Gerald "Wolf" Stephenson.
Recording information: Muscle Shoals Sound Studios, Alabama; Morgan Studios, North London, United Kingdom.
Was it really the tail-end of the 60s when Simon gave us this continuation of Bookends?, an album of a similar feel. After he parted from Garfunkel, Simon wrote songs without having to consider two-part harmonies, and this in turn gave his music a freer, less folk rock flavour. 'American Tune' remains one of his greatest compositions and would make a better alternative to 'America The Beautiful' as the national anthem. Simon had to wait a long time before he topped this record artistically, but he did it in style with Graceland. This is the other Paul Simon album to own.
Producers: Paul Simon, Phil Ramone, The Muscle Shoals Sound Rhythm Section, Paul Samwell-Smith, Roy Halee.
Engineers: Phil Ramone, Jerry Masters, Roger Quested, Gerald Stephenson.
Recorded at Muscle Shoals Sound Studios, Alabama and Morgan Studios, London, England.
Personnel: Paul Simon (vocals, guitar); Cornell Dupree, David Spinozza, Jerry Puckett, Pete Carr, Alexander Gafa (guitar); Jimmy Johnson (electric guitar); Onward Brass Band (horns); Paul Griffin, Bobby Scott (piano); Carson Whitsett (organ); Barry Beckett (keyboards, vibraphone); Bobby James (keyboards); Don Elliot (vibraphone); David Hood, Gordon Edwards, Richard Davis, Vernie Robbins, Bob Cranshaw (bass guitar); Rick Marotta, Roger Hawkins, James Straud (drums); Reverend Claude Jeter (background vocals).
Producers: Paul Simon; Phil Ramone; The Muscle Shoals Horns; Paul Samwell-Smith; Roy Halee.
Engineers: Phil Ramone; Jerry Masters; Roger Quested; Gerald "Wolf" Stephenson.
Recording information: Muscle Shoals Sound Studios, Alabama; Morgan Studios, North London, United Kingdom.
Was it really the tail-end of the 60s when Simon gave us this continuation of Bookends?, an album of a similar feel. After he parted from Garfunkel, Simon wrote songs without having to consider two-part harmonies, and this in turn gave his music a freer, less folk rock flavour. 'American Tune' remains one of his greatest compositions and would make a better alternative to 'America The Beautiful' as the national anthem. Simon had to wait a long time before he topped this record artistically, but he did it in style with Graceland. This is the other Paul Simon album to own.
Customers are also buying
Songs
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1Kodachrome -
2Tenderness
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3Take Me To The Mardi Gras
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4Something So Right
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5One Man's Ceiling Is Another Man's Floor
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6American Tune
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7Was A Sunny Day
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8Learn How To Fall
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9St. Judy's Comet
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10Loves Me Like A Rock
Expanded
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11Let Me Live In Your City (Work In Progress) (Previously Unreleased)
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12Take Me To The Mardi Gras (Acoustic Demo)
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13American Tune (Unfinished Demo)
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14Loves Me Like A Rock (Acoustic Demo)
If you need help with playing the sounds or the movies, click here.
Credits
Airto Moreira(Percussion), Alexander Gafa(Guitar), Barry Beckett(Keyboards), Barry Beckett(Piano), Bob Cranshaw(Bass), Bob Cranshaw(Guitar (Bass)), Bob James(Keyboards), Bobby James(Keyboards), Bobby Scott(Piano), Carson Whitsett(Organ), Carson Witsett(Organ), Cornell Dupree(Guitar), David Hood(Bass), David Hood(Guitar (Bass)), David Spinozza(Guitar), Gordon Edwards(Bass), Gordon Edwards(Guitar (Bass)), Grady Tate(Drums), James Straud(Drums), Jerry Puckett(Guitar), Jimmy Johnson(Guitar (Electric)), Jimmy Johnson(Guitar (Electric)), Maggie Roche(Vocals), Paul Griffin(Piano), Paul Simon(Guitar), Paul Simon(Vocals), Pete Carr(Guitar), Pete Carr(Guitar (Electric)), Rev. Claude Jeter(Vocals), Richard Davis(Guitar (Bass)), Rick Marotta(Drums), Roger Hawkins(Drums), Roger Hawkins(Percussion), Terre Roche(Vocals), Vernie Robbins(Bass), Vernie Robbins(Guitar (Bass)), Barry Beckett(Vibraphone), Bob Cranshaw(Bass (Electric)), Don Elliott(Vibraphone), Maggie Roche(Vocals (Background)), Onward Brass Band(Horn), Rev. Claude Jeter(Vocals (Background)), Richard Davis(Bass (Acoustic)), Terre Roche(Vocals (Background)), Dixie Hummingbirds(Vocals (Background)), Rev. Claude Jeter(Falsetto), Gerald Stephenson(Engineer), Jerry Masters(Engineer), Paul Samwell-smith(Producer), Paul Simon(Producer), Phil Ramone(Engineer), Phil Ramone(Producer), Roger Quested(Engineer), Roy Halee(Engineer), Roy Halee(Producer), Allen Toussaint(Horn Arrangements), Bill Inglot(Remastering), Dan Hersch(Remastering), Del Newman(String Arrangements), Greg Allen(Design), Milton Glaser(Cover Design), Quincy Jones(String Arrangements), Richie Blakin(Assistant Engineer), April Milek(Project Assistant), Brian Kehew(Project Assistant), Cory Frye(Project Assistant), Ginger Dettman(Project Assistant), Hugh Brown(Project Assistant), Joey Helguera(Project Assistant), John Strother(Project Assistant), Karen LeBlanc(Project Assistant), Marc Salata(Project Assistant), Mark McKenna(Project Assistant), Mike Engstrom(Project Assistant), Paul Samwell-smith(Assistant), Randy Perry(Project Assistant), Steve Woolard(Project Assistant), Steven Chean(Project Assistant), Tim Scanlin(Project Assistant), Vanessa Atkins(Project Assistant), Bill Inglot(Reissue Supervisor), David McLees(Reissue Supervisor), Gerald Stephenson(Audio Engineer), Greg Allen(Reissue Art Director), Jerry Masters(Audio Engineer), Jerry Masters(Engineering Supervisor), Jerry Masters(Supervising Engineer), Muscle Shoals Horns(Audio Production), Paul Samwell-smith(Audio Production), Paul Simon(Audio Production), Phil Ramone(Audio Engineer), Phil Ramone(Audio Production), Phil Ramone(Engineering Supervisor), Phil Ramone(Supervising Engineer), Robin Hurley(Reissue Supervisor), Roger Quested(Audio Engineer), Roy Halee(Audio Production), Dixie Hummingbirds(Vocal Group)
Customer Reviews
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shurunkenheads | AUSTRALIA | 不明 | 24/April/2009
十代の頃、ジャケットが気に入って買ったな〜！その頃はまだニューオリンズビートとか分からなかったけどこのアルバム聴いてディキシーハミングバーズのハーモニーにびっくり！私の、ニューオリンズへの道筋は、此処から始まったんです。マッスルショールズのミュージシャンも良い仕事してます。0 people agree with this review
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さいもん | 埼玉県 | 不明 | 14/November/2007
中学生の頃に聞いてたときは、Ｍ１やＭ６くらいしか良さが分からなくて。他は、なんだかへんてこりんな音楽でイマイチだなと不満してました。ガキには分からないよね、この良さは。ゴスペルの味わい深さや各楽器の絶妙なバランスの上で歌われる各曲は実に心地よいです。名盤ですね。0 people agree with this review
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オーディオ・ファイル | 東京都 | 不明 | 09/April/2007
前作（ポール・サイモン）とはかなりイメージが違う。ブルースやゴスペルにルーツをもつアラバマ州の田舎町のマッスル・ショウルズでのセッションから、ポールの歌唱が上手くマッチしている。ブラス・セクションを使用したり、レゲエのリズムを取り入れたりと、当時からポールは目立たないが、かなり音楽性を先取りしている。またポール自身のプロデュースのセンスはあの鬼才トッド・ラングレンを初め数々のミュージシャンに定評がある。そしてこのアルバムから（コダクローム）が放送禁止になったり、アルバムから5曲もシングル・カットするなど、意見はあったがアルバム、シングルと大ヒットになっている。0 people agree with this review
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