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★★★★★ 5 points (20 reviews)


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  • Issued : 17 May 1994

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Item Details

Genre : Rock & Pop Catalogue Number : A829194
Format : CD Label : Emi
Issued : 17 May 1994 Item sourced from : Europe
Number of Discs : 1

Park Life

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HMV Review

Q Magazine (10/01, p.85) - Ranked #15 in Q's "Best 50 Albums of Q's Lifetime"
Q Magazine (12/99, p.82) - Included in Q Magazine's "90 Best Albums Of The 1990s."
Mojo (1/95, p.51) - Included in Mojo's "25 Best Albums of 1994" - "...PARKLIFE shares its ragamuffin rambunctiousness with past masters like The Small Faces and The Kinks but has a contemporary sense of the surreal..."
New Musical Express (12/24/94, p.22) - Ranked #2 in NME's list of the `Top 50 Albums Of 1994.'
Alternative Press (7/95, pp.94-95) - Rated #71 in AP's list of the `Top 99 Of '85-'95.'
Q Magazine (6/00, p.76) - Ranked #22 in Q's "100 Greatest British Albums" - "...Tempered by a wistful elegiac quality that brilliantly captured England's mixture of madness and mundanity. 'This Is a Low' is one of the most poignant songs ever onthe subject of The British isles."
Rolling Stone (6/30/94, p.73) - 4 Stars - Excellent - "...With one of the year's best albums, they realize their cheeky ambition: to reassert all the style and wit, boy bonding and stardom aspiration that originally made British rock so dazzling...this is explosive pop..."
Spin (8/94, p.87) - Highly Recommended - "...Blur cultivates that new wave look and sound, evoking the halcyon days of yore when London produced weekly pop sensations the way today's American college towns produce Superchunk clones..."
Alternative Press (10/94, p.74) - "...taking MODERN LIFE's `For Tomorrow' to its logical retro conclusion, but making it all seem so shiny, spanking, sparkly new, that the next time there's a '60's revival, they'll have to ask Blur if it's ok with them first..."

Credits

Alex James(Guitar),  Alex James(Vocals),  Damon Albarn(Synthesizer),  Damon Albarn(Vocals),  Dave Rowntree(Drums),  Dave Rowntree(Percussion),  Far Out(Guitar (Bass)),  Graham Coxon(Clarinet),  Graham Coxon(Guitar),  Graham Coxon(Guitar (Acoustic)),  Graham Coxon(Guitar (Electric)),  Graham Coxon(Percussion),  Graham Coxon(Saxophone),  Graham Coxon(Vocals),  Laetitia Sadier(Vocals),  Louise Fuller(Violin),  Mark Pharoah(Violin),  Phil Daniels(Trombone),  Richard Edwards(Trombone),  Richard Koster(Violin),  Roddy Lorimer(Trombone),  Simon Clarke(Flute),  Simon Clarke(Sax (Alto)),  Simon Clarke(Sax (Baritone)),  Stephen Hague(Piano),  Stephen Street(Keyboards),  Tim Sanders(Sax (Soprano)),  Tim Sanders(Sax (Tenor)),  Audrey Riley(Strings),  Chris Pitsillides(Strings),  Chris Tombling(Strings),  Damon Albarn(Melodica),  Damon Albarn(Organ (Hammond)),  Damon Albarn(Recorder),  Damon Albarn(Strings),  Damon Albarn(Vibraphone),  Damon Albarn(Vocals (Background)),  Graham Coxon(Vocals (Background)),  Ivan McCready(Cello),  John Metcalfe(Viola),  Leo Payne(Strings),  Phil Daniels(Horn),  Stephen Street(Sound Effects),  Alex James(Noise),  Damon Albarn(Harpsichord),  Damon Albarn(Moog Synthesizer),  Dave Rowntree(Noise),  Dave Rowntree(Crowd Noise),  Far Out(Crowd Noise),  John Metcalfe(Arranger),  John Smith(Engineer),  John Smith(Engineer),  John Smith(Producer),  Stephen Hague(Engineer),  Stephen Hague(Producer),  Stephen Street(Producer),  Bob Thomas(Photography),  Brunskill(Photography),  Damon Albarn(Programming),  Dave Rowntree(Programming),  Kevin Godley(Director),  Stephen Street(Programming),  Phil Daniels(Narrator),  Stephen Street

Songs

  •   
    1
    Girls And Boys
  •   
    2
    Tracy Jacks
  •   
    3
    End Of A Century
  •   
    4
    Parklife
  •   
    5
    Bank Holiday
  •   
    6
    Debt Collector
  •   
    7
    Far Out
  •   
    8
    To The End
  •   
    9
    London Loves
  •   
    10
    Trouble In The Message Centre
  •   
    11
    Clover Over Dover
  •   
    12
    Magic America
  •   
    13
    Jubilee
  •   
    14
    This Is A Low

Customer Reviews

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  • ★★★★★ 

    がすたふ孫  |  神奈川県  |  40year  |  23/March/2010

    ブラーといえば間違いなくコレ、曲の流れが完璧で、各曲はロンドンを舞台にしたショートフィルムを観てるよう。アルバム一枚で一つの映画のような名盤。

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  • ★★★★★ 

    FAR FROM HOME  |  不明  |  25/April/2009

    '94年発表。前年の傑作アルバム「モダン・ライフ・イズ・ラビッシュ」から1年もたたないうちに、モッズっぽいロックンロールありの、映画のサントラ調ありの、歌謡ポップありの(以下省略)と、とんでもなくバラエティ豊かな17曲がポイッと投げ出されてしまった。そのきっぷのよさと、やりたい放題の、ほとんど破天荒なまでのとっちらかりよう、もとい多様性に、最初はとてもラフな作品という印象を受けたのだが、いやぁ、聴くほどにわかる大胆な構成力に感動することしきり。 前作がこれまでのイギリスのポップ/ロックの流れを汲むものだったとすると、このサード・アルバムはサウンド的には延長上にありながらも、そうした過去の歴史に倣おうとする殊勝さがカケラもない。前作で繰り広げた歴代ブリティッシュ・サウンドは、今や完全に彼らの骨肉となり、本作ではよりダイナミックに、より野心的に、より奔放に、彼らの演れることの可能性を極限まで追求している。これを聴くと、あの前作ですらちんまりした印象を受けてしまうほどだ。 この途方もない冒険的アルバムは、意識的にロックであること、ロックすら否定することから生まれた。90年代の70年代ロック的なものが復活した風潮の、まったく逆を行くやり方。ロックのうねりが、魂の叫びが、原点が、という周囲の動きをせせら笑うかのように、ブラーは強靭な演奏力をもって触れれば弾けんばかりのポップを叩きつけ、誰にも予測のできないような音の世界にグイグイと漕ぎ出していくのだ。まるで4人の不遜な表情が浮かんでくるような、ふてぶてしい存在感がたまらなくいい。

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  • ★★★★★ 

    ipp  |  不明  |  19/November/2006

    捨て曲無し。文句なしの名盤。

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