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★★★★☆ 4 points (277 reviews)


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  • Issued : 07 Jun 2005

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Item Details

Genre : Rock & Pop Catalogue Number : 4747862
Format : CD Label : Emi U.k.
Issued : 07 Jun 2005 Item sourced from : International
Number of Discs : 1

X  &  Y

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Other Versions

  • LP   US Edition   ¥3,560   US Import   Released: 06 Jun 2005  

HMV Review

‘X&Y' is a big album in every sense of the word. The songs are huge. The music is sometimes quiet and intimate but at other times builds to a massive, layered sound that breaks new ground for Coldplay. The lyrics are about big subjects like life and death, love and loss, about being fascinated by the world around us but also about accepting that some things can never be fully understood.

Difficult times have followed the band, including insecurities, gruelling touring schedules and challenging trip to Ghana to renew the band's long-standing commitment to help make trade fairer for developing countries. However the songs have been influenced for the better, like ‘A Message', a song that Chris describes almost as a surprise gift. “I didn't write it as much as it got sent. I woke up in the middle of the night, I ran downstairs and this song arrived, like a late-night visitor.”

The kind of raw, emotional songs that Coldplay do so well are still here; ‘Swallowed In The Sea', written early in 2004 and a song about coming to terms with the death of people close to you; the simple, moving love song ‘A Message'; and the achingly beautiful ‘What If', which shows that Chris hasn't lost the capacity to worry. Elsewhere, ‘Twisted Logic' shows a darker, angry side to the band. There's the same emphasis throughout on strong songs, but the way these songs have been treated this time round shows a band that is growing, maturing, and ready to try new things. Apart from the riff to Kraftwerk's ‘Computer Love' - which makes a surprise appearance on ‘Talk' – the band have stressed that it wasn't really musical ideas they took into the studio, more just moods: a sound, a moment, a feeling.

So ‘X&Y' is yet another leap forward from ‘Parachutes' and ‘A Rush of Blood To The Head'. From emotional rollercoasters to rocky and electro-tinged songs, the band believes this album is a raw statement of them being true to themselves; for this, their third album, it took a marathon 18 months' work before they were ready for the last-minute creative sprint to the finish line. But when you're passionate about your music, you do whatever it takes. And it was worth waiting for.

Credits

Brian Eno(Synthesizer),  Chris Martin(Piano),  Chris Martin(Vocals),  Guy Berryman(Guitar (Bass)),  Jonny Buckland(Guitar),  Matt Mcginn(Guitar),  Will Champion(Drums),  Anne Lines(Strings),  Audrey Riley(Strings),  Chris Tombling(Strings),  Laura Melhuish(Strings),  Peter Lale(Strings),  Richard George(Strings),  Sue Dench(Strings),  Carmen Rizzo(Computers),  Mark Pythian(Computers),  Robert Smith(Computers),  Coldplay(Producer),  Danton Supple(Producer),  Ken Nelson(Engineer),  Ken Nelson(Producer),  Audrey Riley(String Arrangements),  Chris Athens(Mastering),  Chris Martin(Composer),  Chris Martin(Composer),  Coldplay(Photography),  Emil Schult(Composer),  George Marino(Mastering),  Guy Berryman(Composer),  Jon Buckland(Composer),  Karl Bartos(Composer),  Kevin Westenberg(Photography),  Michael Brauer(Mixing),  Ralf Hutter(Composer),  Tappin Gofton(Art Direction),  Tappin Gofton(Design),  Tom Sheehan(Photography),  Will Champion(Composer),  Adam Noble(Assistant),  Andrea Wright(Assistant),  Bryan Russell(Assistant),  Dan Porter(Assistant),  Danny Porter(Assistant),  Jake Jackson(Assistant),  Jon Bailey(Assistant),  Keith Gary(Digital Editing),  Mathieu Lejeune(Assistant),  Mike Pierce(Assistant),  Robert Smith(Assistant),  Taz Mattar(Assistant),  Tim Roe(Assistant),  William Paden Hensley(Assistant),  Carmen Rizzo(Computer Editing),  Coldplay(Audio Production),  Dan Keeling(A&R),  Danton Supple(Audio Production),  Estelle Wilkinson(Management),  Keith Gary(Pro-Tools),  Ken Nelson(Audio Production),  Mark Pythian(Computer Editing)

Songs

  •   
    1
    Square One  (04:47)
  •   
    2
    What If  (04:57)
  •   
    3
    White Shadows  (05:28)
  •   
    4
    Fix You  (04:54)
  •   
    5
    Talk  (05:11)
  •   
    6
    X&Y  (04:34)
  •   
    7
    Speed of Sound  (04:48)
  •   
    8
    Message, A  (04:45)
  •   
    9
    Low  (05:32)
  •   
    10
    Hardest Part, The  (04:25)
  •   
    11
    Swallowed in the Sea  (03:58)
  •   
    12
    Twisted Logic  (05:01)
  •   
    13
    Til Kingdom Come - (hidden track)  (04:10)

Customer Reviews

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  • ★★★☆☆ 

    かよちゃん  |  岐阜県  |  不明  |  28/September/2010

    決してキライじゃない、これと2ndは。でも何かもう一つ響かないし繰り返し聴きたいとは思わないなぁ。ラジオで初めて聴いた時「U2の新譜?」と思ったし…FLOYDとZEPを超えるバンドはきっとこの先も現れない。私の中ではね。DEF LEPPARDは古くないゾ。まだまだカッコいいゾ。

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  • ★★★★☆ 

    がすたふ孫  |  神奈川県  |  不明  |  01/July/2010

    仰々しいサウンドプロダクションはあまりにも凝りすぎ、狙いすぎ。どの曲も出だしはいいのに。ただクォリティーが高い出来映えであることは間違いない。

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  • ★★★★★ 

    ラッキーな男  |  鹿児島県  |  30year  |  02/May/2010

    私はこのアルバムからコールドプレイにハマったこともあり、このアルバムが一番好きです。それまでの2枚(これらも大好きです!)は、音的にもロック色が強い感じで、生な、ライヴな感じがします。そして、これらの2枚で世界的な認知度が最高に高まったときに出されたのが、このアルバムなのだと思います。きっとファンは3枚目はどんなアルバムになるんだろうかと大いに期待していたに違いありません。(私は、冒頭にある通り、このアルバムがスタートだったので、生で味わえなかったのが大変残念です。) そこでコールドプレイが出した答えが、生な音楽を、彼らの音楽性をオブラートで包むというか・・・うまく説明できないですが、他のアーティストで言うならば、「U2」や「デフレパード」(古い例えで申し訳ない!)のような感じですね。聞いている人間が高濃度の癒しに包まれる感じですね。あっ、「エンヤ」みたいな! 楽曲も未だに飽きていません。ヘビーローテーション中ですが、まだ飽きません。歌詞もかなり練られていて、韻を踏みまくりですね。またそこが飽きさせないというか、憎らしいというか。やっぱり最高ですよ。

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