Mean Old Man

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Jerry Lee Lewis made his first Steve Bing-produced comeback in 2006 with Last Man Standing, an all-star duets album that packed a surprising punch. With Jim Keltner replacing Jimmy Ripp as co-producer, Bing leads the Killer through the same basic formula for 2010痴 Mean Old Man, even retaining many of the same all-stars from before -- Keith Richards, Mick Jagger, Ron Wood, Merle Haggard, Robbie Robertson, Ringo Starr, John Fogerty, Kris Kristofferson, Willie Nelson and Kid Rock all return because who wouldn稚 want them all to return for seconds? -- but the vibe on this record is a little more subdued, with Keltner favoring a welcome muddy Sun murk over the crisp snap of Last Man Standing. So, there痴 nothing that rampages like his take on Led Zeppelin痴 迭ock N Roll� -- although 迭oll Over Beethoven,� with Ringo and John Mayer in tow, comes close -- but the slower tempos suit the 74-year old Killer, letting him dig into the contours of the songs and he gets into the nitty-gritty of the Stones・泥ead Flowers� and 鉄weet Virginia� (the latter cleaned up so Jerry Lee is cleaning the shine off his shoes), sounds invigorated to be singing gospel with Solomon Burke and finds an ideal harmony partner in Gillian Welch, whose presence elevates 撤lease Release Me� and 的 Really Don稚 Want To Know.� On these last two, Jerry Lee Lewis doesn稚 quite sound like the Mean Old Man of the title -- old, yes, but sorrowful not spiteful -- but the record does find the Killer reviving his old snarl thanks to the title track, the Kid Rock and Slash-graced 迭ockin・My Life Away� and, best of all, a terrific reading of 添ou Can Have Her� featuring Eric Clapton and James Burton. With each track designed as a showcase for the featured guest, Mean Old Man winds up playing a little like a collection of moments but it痴 hard to complain when the moments prove that you can still be vigorous and vital at the age of 74. ~ Stephen Thomas Erlewine, Rovi