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Surrender.

Chemical Brothers

User Review :4.5 points (23 reviews) ★★★★★

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Item Details

Genre : Dance & Soul Catalogue Number : TOCP53576
Number of Discs : 1 Label : toshiba EMI
Release Country : Japan
Format : CD
Other : Limited (Period), Reissue

Surrender.

Chemical Brothers

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Product Description

Other Editions

  • CD Surrender
             Japan Edition   ¥2,090     07 Jun 1999  
  • CD Surrender
             UK Edition   ¥1,213     21 Jun 1999  
  • CD Surrender
             AUS Edition   ¥3,565     18 Jun 1999  

Surrender (List of All Editions)

HMV Review

By the time of the Chemical Brothers' third album, Surrender, the big beat phenomenon they had done much to engender was more apt to be heard on a soft drink commercial than the world's hipper dancefloors. And with the growing omnipresence of big beat's simplistic party vibes threatening to cave in the entire scene, Tom and Ed came to grips with what is -- compared to their previous work -- a house record. The pounding four-on-the-floor thump of tracks like Music:Response, Got Glint, and the duo's take on KLF-style stadium house for the single Hey Boy Hey Girl signals that this is a transition record for the Chemical Brothers, one that could eventually take them back into the straight-ahead dance mainstream status enjoyed by acts from Daft Punk to Armand Van Helden.

The irony here is that even considering the changes, Surrender still feels very similar to its predecessors. The focus on wave-of-sound production, buckets full of old-school vocal samples, and various sirens and beatbox effects sound like they were lifted wholesale from their breakout album, Dig Your Own Hole, or their first release, Exit Planet Dust. And while a few of the vocal tracks focus on new collaborations, they're along the same lines, making it tough to spot the differences from past albums -- the quavering British vocals of Beth Orton have given way to the quavering American vocals of Hope Sandoval, and the Charlatans' Tim Burgess is replaced by New Order's reclusive Bernard Sumner (a sure sign that the Chemicals have moved up a notch on the music-industry food chain). Also, two returning guests (Noel Gallagher and a member of Mercury Rev, here Jonathan Donahue) make very similar contributions to the record in the identical places they appeared on Dig Your Own Hole. Even besides its simpy title, the Gallagher track Let Forever Be is the very same electronica update of the Beatles' Tomorrow Never Knows that made their 1996 collaboration single Setting Sun a number one hit in Britain. And the Donahue track, Dream On, is very similar to the indie psychedelia of The Private Psychedelic Reel from Dig Your Own Hole. Sure, the Chemical Brothers do this type of music very well; it's just that Surrender isn't quite the change of direction they'd been aiming for -- it's simply the same great album they'd made two years earlier. ~ John Bush, Rovi

Content Description

Credit
Hope Sandoval(Vocals),  Steve Dub(Engineer),  Chemical Brothers(Producer),  Chemical Brothers(Composer)

Track List

  •   
    01.
    Music: Response  (05:19)
  •   
    02.
    Under the Influence  (04:16)
  •   
    03.
    Out of Control  (07:19)
  •   
    04.
    Orange Wedge  (03:06)
  •   
    05.
    Let Forever Be  (03:56)
  •   
    06.
    Sunshine Underground  (08:38)
  •   
    07.
    Asleep from Day  (04:47)
  •   
    08.
    Got Glint?  (05:26)
  •   
    09.
    Hey Boy Hey Girl  (04:50)
  •   
    10.
    Surrender  (04:30)
  •   
    11.
    Dream On  (06:46)

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Customer Reviews

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  • ★★★☆☆ 

    keith007  |  千葉県  |  不明  |  19/April/2010

    ロックミュージシャンを最も近づけたアルバム。 わかりやすいボーカル曲が多い。 当時確かにそのお陰でケミカルは旬だった。 が、悪くはないがそのボーカル曲の歌メロが安直なポップすぎたので、 少し辛目の評価。 初めてこうゆう音楽聴く人には◎

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  • ★★★★★ 

    暗黒舞踏おっさん  |  千葉県  |  不明  |  14/February/2006

    ダンスミュージックなんだが音が凄く生々しい。やはりアッパーな曲が多く高揚感と幸福感に見舞われる。目を閉じるとキラキラしながら回るミラーボールが見えてくる。ボーダレスに愛されるのは作り出す広大かつ大胆でも緻密な世界観によるからだろう。

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  • ★★★★★ 

    久遠  |  北海道  |  不明  |  09/November/2005

    腹部から下半身へと猛威を振るうファットなベースラインは、ケミカル印の強烈なインパクトとして存分に発揮されている。更にカテゴライズ不能となった多彩なトラックの感触は、叙情さえも滲ませる程に懐は深い。ハードでファンキーな躍動感が、広大なスケールの空間に踊る。

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