Bruch, Max (1838-1920)

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Bruch, Max (1838-1920)

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Bruch, Max (1838-1920) Profile

Max Bruch (1838-1920) was a German Romantic composer whose output included music in every genre, yet he is regarded as a minor figure, especially when compared to his great contemporary, Brahms. Viewed as a promising talent in his youth and respected in his maturity as an educator, Bruch also conducted in posts as widely separated as Liverpool and Breslau. The two works by Bruch that remain in the

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  • CD "Sym, 1, 2, 3, Etc: Conlon / Cologne Gurzenich Po Etc"

    User Review ：5 points (3 reviews) ★★★★★

    演奏が良い。しっかりと統率され、オーケストラのドイツトーンも好ましい。マイナー曲としては合格点以上でしょう。曲に関してはヴァイオリン協奏曲と同じで１番が良い。旋律にみずみずしさがあり、２楽章など独特の感性が面白い。ただ、２番、３番となると、どこかで聴いたようなありきたりの旋律が、いかにもロマン波の大交響曲という感じで展開されるだけという印象を受けます。散漫で推敲されたような跡がありません。BOXセットには組み込まれない曲と演奏者なのでスポット買いに良いと思います。
  • SACD Bruch Violin Concerto No.1, R.Strauss Violin Sonata : Miki Kobayashi(Vn)Fumiaki Miyamoto / Tokyo City Philharmonic, Kazumasa Matsumoto(P)(Hybrid)Bruch Violin Concerto No.1, R.Strauss Violin Sonata : Miki Kobayashi(Vn)Fumiaki Miyamoto / Tokyo City Philharmonic, Kazumasa Matsumoto(P)(Hybrid)

    User Review ：4 points (1 reviews) ★★★★☆

    小林美樹は音色が美しく、技巧も万全、歌心も豊か、間違いなく1級の資質の持ち主だ。その上で一言。常に細かくポルタメントをかけるのがミルスタインを思わせるが、これが彼女の芸風なのかもしれないがどうなんだろう。私には耳にしつこく感じられた。オーケストラは洗練に欠け、響きの分離が悪い。熱演だが、鈍く聴こえるのが惜しい。それに、エクストンはどう考えて拍手を収録し続けているのだろう。拍手までが音楽だと考えているのか、もしくは演奏会に来た人に記念品として売りたいのか。50分収録でフルプライスなのも含め、商品として疑問が残る。評価点は甘めである。

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