Beethoven (1770-1827)

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Beethoven (1770-1827)

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The events of Beethoven's life are the stuff of Romantic legend, evoking images of the solitary creator shaking his fist at Fate and finally overcoming it through a supreme effort of creative will. Born in the small German city of Bonn on or around December 16, 1770, he received his early training from his father and other local musicians. As a teenager, he earned some money as an assistant to his

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  • CD Symphony No, 9, : Furtwangler / Berlin Philharmonic (1942)(reproduction with ELP Laser Turntable)Symphony No, 9, : Furtwangler / Berlin Philharmonic (1942)(reproduction with ELP Laser Turntable)

    User Review :4.5 points (8 reviews) ★★★★★

    私も3月と4月が判別できず、何種類か安いCDを持っていますが、音質的にはお風呂場みたいなボワ〜ンとした物がほとんどです。この平林復刻は、音がしかっりと引き締まっており、Gottでのティンパニの迫力も見事です。フルヴェンの第9のなかでも、バイロイト盤に負けない鬼気迫る演奏で、しかも造詣の崩れが少なく合唱の素晴らしさもあって個人的には好きな盤です。戦時中によくこんな音が録れたと思ったら、テープが78cm/sと戦後よりもスペックが高かったと知ってなるほどと感心しました。
  • CD Beethoven Symphony No, 7, (1950), Mozart Symphony No, 40, (1948, 1949): Furtwangler / Vienna Philharmonic -Reissue Producer Naoya HirabayashiBeethoven Symphony No, 7, (1950), Mozart Symphony No, 40, (1948, 1949): Furtwangler / Vienna Philharmonic -Reissue Producer Naoya Hirabayashi

    User Review :4.5 points (2 reviews) ★★★★★

    私の聞いた話では、ト短調の冒頭のテンポに試行錯誤していたトスカニーニがフルヴェンの演奏を聴いて「これだ!」と開眼したというのですが、諸説あるようですね。ト短調は、EMI盤よりも実存感のある音ですが、さすがにこれだけ針音があると身を入れて聴き通すのが難儀です。逆に、7番はLP時代にSP復刻のGRシリーズで愛聴していたので、針音がしないと聴いた気がしません。LPよりも針音が少なめで、音割れもなくクリスタルピックアップの電蓄で擦り切れるまで聴いた音とは比べ物になりません。低音もこんなにも豊かだったのかと感動も改たにしました。

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