John Coltrane　

Despite a relatively brief career (he first came to notice as a sideman at age 29 in 1955, formally launched a solo career at 33 in 1960, and was dead at 40 in 1967), saxophonist John Coltrane was ..more

Julian Lage　

Jazz guitarist Julian Lage is somewhat of a child prodigy -- playing his instrument at the age of five and performing in public a year later. Shortly thereafter, Lage began playing with such ren ..more

Julie London　

A sultry, smoky-voiced master of understatement, Julie London enjoyed considerable popularity during the cool era of the 1950s. London never had the range of Ella Fitzgerald or Sarah Vau ..more

Jackie Mclean　

Jackie McLean has long had his own sound, played slightly sharp and with great intensity; he is recognizable within two notes. McLean was one of the few bop-oriented players of the early ’50s ..more

Jon Batiste　

John Scofield　

One of the big three of late 20th and early 21st century jazz guitarists (along with Pat Metheny and Bill Frisell), John Scofield’s influence grew in the ’90s and continued into the 21st ..more

Joe Henderson　

Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-’60s, Joe Hender ..more

Jacob Collier　

Joe Pass　

Joe Pass did the near-impossible. He was able to play up-tempo versions of bop tunes such as Cherokee and How High the Moon unaccompanied on the guitar. Unlike Stanley Jordan, Pas ..more

Jaco Pastorius　

Jaco Pastorius was a meteor who blazed on to the scene in the 1970s, only to flame out tragically in the 1980s. With a brilliantly fleet technique and fertile melodic imagination, Pastorius made ..more

Joshua Redman　

Every few years it seems as if the jazz media go out of their way to hype one young artist, overpraising him to such an extent that it is easy to tear him down when the next season arrives. In the ..more

Jiro Inagaki / Soul Media　

Joel Ross　

Jimmy Smith　

Jimmy Smith wasn’t the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and ..more

John Zorn　

The one word virtually everyone can agree on in any discussion of the work of composer John Zorn is prolific in the strictest sense of the definition. Though he didn’t begin making records until ..more

John Surman　

John Surman was one of the very few saxmen in England to find a significant rock audience during the late ’60s, playing gigs regularly at venues like the Marquee Club in London. Also a clarinetist ..more

Jean-Luc Ponty　

It has been a long, fascinating odyssey for Jean-Luc Ponty, who started out as a straight jazz violinist only to become a pioneer of the electric violin in jazz-rock in the ’70s and an inspir ..more

Jimmy Mcgriff　

One of the all-time giants of the Hammond B-3, Jimmy McGriff sometimes gets lost amid all the great soul-jazz organists from his hometown of Philadelphia. He was almost certainly the bluesiest o ..more

John Coltrane / Eric Dolphy