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Jackie Mclean　

Jackie McLean has long had his own sound, played slightly sharp and with great intensity; he is recognizable within two notes. McLean was one of the few bop-oriented players of the early ’50s ..more

Norwegian saxophonist Jan Garbarek’s icy tone and liberal use of space and long tones has long been perfect for the ECM sound and, as a result, he is on many recordings for that label, both as a ..more

Jimmy Giuffre　

Jimmy Giuffre has had many accomplishments in a long career that has never been predictable. Giuffre graduated from North Texas State Teachers College in 1942, played in an Army band during his ..more

Joe Henderson　

Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-’60s, Joe Hender ..more

Joe Lovano　

Active during a period of jazz history when it seemed radical innovation was a thing of the past, Joe Lovano nevertheless coalesced various stylistic elements from disparate eras into a personal an ..more

John Coltrane　

Despite a relatively brief career (he first came to notice as a sideman at age 29 in 1955, formally launched a solo career at 33 in 1960, and was dead at 40 in 1967), saxophonist John Coltrane was ..more

Johnny Griffin　

One of the all-time great tenor saxophonists, Johnny Griffin will go down in the annals of jazz as a performer easily able to negotiate the tricky harmonic changes and swift tempos of modern music. ..more

Joshua Redman　

Every few years it seems as if the jazz media go out of their way to hype one young artist, overpraising him to such an extent that it is easy to tear him down when the next season arrives. In the ..more

J.R.Monterose　

J.R. Monterose (not to be confused with fellow tenor Jack Montrose) is most famous for a gig that he personally did not enjoy, playing with Charles Mingus in 1956 and recording on Mingus’ ..more

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Jackie Mclean

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J.R.Monterose

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