CD 輸入盤

Strongman

Reginald R. Robinson

基本情報

ジャンル
:
カタログNo
:
662
組み枚数
:
1
レーベル
:
オリジナル盤発売年
:
1993
フォーマット
:
CD
クレジット
:

Reginald R. Robinson(Piano),  Konrad Strauss(Engineer),  Paul Serrano(Engineer),  Robert G. Koester(Producer),  Jason More(Design),  McKinley C. Olson(Liner Notes),  Peter Amft(Photography),  John Weber(Supervisor),  Robert G. Koester(Supervisor),  Kathryn Lynch(CD Production Supervision)

商品説明

Robinson demonstrates his mastery of ragtime and his own voice on the 22 tunes that comprise his Delmark debut. Whether you're a rag fan or not, hearing Robinson deconstruct, rework and smoothly conclude Maple Leaf Rag, Spring Rag and The Original Slow Drag is impressive. He's also accomplished at boogie-woogie, blues and even straight jazz, but uses these only in bits and pieces as stylistic relief, along with incorporating bits and pieces of familiar pop tunes into his rags. What's more amazing is that only Scott Joplin's Maple Leaf Rag is a cover; the other 21 numbers are Robinson originals, and he's nailed the vintage style without turning the songs into museum pieces. ~ Ron Wynn, All Music Guide

収録曲   

  • 01. Maple Leaf Rag (02:27)
  • 02. Good Times Rag (02:59)
  • 03. Strong Man (03:27)
  • 04. Troubador Serenade (05:09)
  • 05. Spring Rag (02:57)
  • 06. Portrait of Scott Joplin (02:29)
  • 07. Ebony Venus (04:38)
  • 08. Petunia Rag (02:52)
  • 09. Ballerina Figurine (03:35)
  • 10. Finesse (03:06)
  • 11. Boogie Man Creep (01:23)
  • 12. Just Try and Escape the Devil (02:16)
  • 13. Show Stopper (02:30)
  • 14. Hustler's Two-Step (02:30)
  • 15. Kid (01:52)
  • 16. Scamp (02:19)
  • 17. Poker Face Blues (02:44)
  • 18. Nile River Ripples (03:00)
  • 19. Jester (02:17)
  • 20. Georgia Tom (02:45)
  • 21. Original Slow Drag (03:00)
  • 22. Honeymoon Waltz (05:29)

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人物・団体紹介

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Reginald R. Robinson

Reginald Robinson certainly stands out in his generation for this young black man performs ragtime piano; in addition, he has composed dozens of rags. He started on piano at 13 and dropped out of school the following year to devote himself to his music, memorizing rags by ear because he had not yet learned to read music. Robinson began serious lessons the following year and gradually gained a repu

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