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Beware Of The Beautiful Stranger

Pete Atkin

基本情報

ジャンル
:
カタログNo
:
EDSS1029
組み枚数
:
1
レーベル
:
:
Europe
フォーマット
:
CD
その他
:
輸入盤
クレジット
:

Brian Odgers(Guitar (Bass)),  Henry MacKenzie(Clarinet),  Pete Atkin(Guitar),  Pete Atkin(Piano),  Pete Atkin(Vocals),  Tony Marsh(Drums),  Pete Atkin(Tambourine),  Don Paul(Producer),  Pete Atkin(Arranger),  Tom (Colonel) Allom(Engineer),  Clive James(Composer),  Clive James(Liner Notes),  Pete Atkin(Composer),  Pete Atkin(Liner Notes),  Sophie Baker(Cover Photo),  Sophie Baker(Photography),  Val Jennings(Project Coordinator),  Clive James(Memorabilia),  Clive James(Track Annotations),  Duke Ellington,  Pete Atkin(Memorabilia),  Pete Atkin(Track Annotations),  William Shakespeare,  William Shakespeare

収録曲   

  • 01. Master of the Revels (02:40)
  • 02. Touch Has a Memory (02:41)
  • 03. Have You Got a Biro I Can Borrow? (02:01)
  • 04. Sunrise (02:19)
  • 05. Frangipanni Was Her Flower (02:17)
  • 06. Rider to the World's End (03:38)
  • 07. Luck of the Draw (01:26)
  • 08. Original Original Honky Tonk Night Train Blues (02:22)
  • 09. Girl on the Train (02:53)
  • 10. Tonight Your Love Is Over (03:23)
  • 11. You Can't Expect to Be Remembered (03:21)
  • 12. Laughing Boy (03:31)
  • 13. Beware of the Beautiful Stranger (05:25)
  • 14. All I Ever Did (00:58)
  • 15. Be Careful When They Offer You the Moon (03:02)
  • 16. Man Who's Been Around (03:26)
  • 17. Have You Got a Biro I Can Borrow? [Demo Version] (01:47)
  • 18. Touch Has a Memory [Demo Version] (01:39)
  • 19. Sunrise [Demo Version] (02:28)
  • 20. Luck of the Draw [Demo Version] (01:31)
  • 21. Girl on the Train [Demo Version] (02:47)
  • 22. You Can't Expect to Be Remembered [Demo Version] (03:15)
  • 23. Laughing Boy [Demo Version] (02:23)
  • 24. All I Ever Did [Demo Version] (00:50)

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人物・団体紹介

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Pete Atkin

In the early '70s, the songwriting partnership of Pete Atkin and Clive James was held in high esteem by the British music press, yet commercial success proved much more elusive. Their unique attempt to fuse the discipline and craftsmanship of Tin Pan Alley with the self-expression of rock, while refusing to accept any limitation on what constituted appropriate subject matter for lyrics, inevitably

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