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CD

Bridge Over Troubled Water: 明日に架ける橋

Paul Desmond (ポール・デスモンド)

基本情報

ジャンル
:
カタログNo
:
UCCM9222
組み枚数
:
1
:
日本
フォーマット
:
CD
その他
:
限定盤, 24ビット, 紙ジャケ, リマスター
クレジット
:

Airto Moreira(Drums),  Bill Lavorgna(Drums),  Gene Bertoncini(Guitar),  Herbie Hancock(Piano (Electric)),  Jerry Jemmott(Bass),  Joao Palma(Drums),  Paul Desmond(Sax (Alto)),  Ron Carter(Bass),  Sam Brown(Guitar),  Sam T. Brown(Guitar),  Don Sebesky(Arranger),  Don Sebesky(Producer),  Cameron Mizell(Production Coordination),  Don Sebesky(Director),  Erick Labson(Mastering),  Hollis King(Art Direction),  Tom Wilkes(Art Direction),  Isabelle Wong(Package Design),  Andy McKaie(Reissue Supervisor)

商品説明

Simon and Garfunkel's Bridge Over Troubled Water was the hottest album in the land in 1970, and Paul Simon's tunes from that and their earlier albums unexpectedly find a congenial advocate in Paul Desmond. Against the odds as determined by bopsters, Desmond finds something beautiful, wistful, and/or sly to say in each of these ten tunes, backed by Herbie Hancock's Rhodes electric piano and a set of ravishing, occasionally overstated (as in America) orchestrations by Don Sebesky. The 59th Street Bridge Song is given a jaunty, carefree rendition, adapting quite well to a jazz treatment (after all, Desmond's old teammate in the Brubeck quartet Joe Morello played drums on S&G's original record) and Desmond even does some cascading overdubs on his solo part. Cecilia is a fast samba, Desmond cleverly works his old Sacre Blues into the solo on El Condor Pasa, and the title track has a breathtakingly pretty fadeout. Hancock's solos often reflect where he was personally at in 1970, with ideas transferred from his progressive electric Sextet. This is a Creed Taylor production in all but name; the sound, track editing, and production values are right in line with the A&M CTI line, but Sebesky is listed as producer, Taylor having recently severed his ties with A&M to form his own label. ~ Richard S. Ginell, Rovi

内容詳細

ドン・セベスキーがアレンジとプロデュースを手掛けたサイモン&ガーファンクル・ソングブック。ハービー・ハンコック、ロン・カーターはもとよりジェリー・ジェモット、ジーン・ハートンシーニなど通も唸る意外な注目盤。デスモンドらしい品の良さが光る。(誠)(CDジャーナル データベースより)

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いいですね。S&GをDESMONDで聞くのは。最...

投稿日:2003/01/03 (金)

いいですね。S&GをDESMONDで聞くのは。最近はまっています。

NCC1701 さん | 三重県 | 不明

0

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Paul Desmond

Paul Desmond is widely recognized for his genius as a melodic improviser and as the benchmark of cool jazz sax players. His warm, elegant tone was one that he admittedly tried to make sound like a dry martini. He and Art Pepper were virtually the only alto players of their generation not directly influenced by Charlie Parker. Desmond was influenced by Lester Young, but took it further, into melodi

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