CD 輸入盤

Fragments

Paul Bley (ポールブレイ)

基本情報

ジャンル
:
カタログNo
:
829280
組み枚数
:
1
レーベル
:
Ecm
:
Germany
オリジナル盤発売年
:
1986
フォーマット
:
CD
クレジット
:

Bill Frisell(Guitar),  John Surman(Sax (Baritone)),  John Surman(Sax (Soprano)),  Paul Bley(Piano),  Paul Motian(Drums),  John Surman(Clarinet (Bass)),  Paul Motian(Drums (Snare)),  Jan Erik Kongshaug(Engineer),  Manfred Eicher(Producer),  Barbara Wojirsch(Cover Design),  Burkhart Wojirsch(Cover Design),  Burkhart Wojirsch(Illustrations),  Steve Lake(Liner Notes),  Burkhart Wojirsch(Cover Art)

商品説明

Having worked early on with everyone from Charlie Parker and Charles Mingus to Chet Baker and Jimmy Giuffre, Canadian pianist Paul Bley created a solid jazz base for his own distinctly sparse and plaintive style. In the '60s he gravitated toward free jazz, but with less of the freneticism of a Cecil Taylor and more as a melancholic minimalist who would leave his mark on such introverted tinklers as Keith Jarrett. Since the dawn of the '70s, Bley has elaborated on his brand of chamber jazz via a slew of independent jazz labels, including Steeplechase, Soul Note, Owl, and hatART. But it's on the German ECM label where he has scored some of his most impressive triumphs; this 1986 session ranks high among his many solo and group outings for the label. Nicely assisted by '60s cohort and drummer Paul Motian, guitarist Bill Frisell, and saxophonist John Surman, Bley ranges wide, from his own diffusely meditative opener (Memories) and two wintry ballads by Carla Bley (Seven and Closer) to a noisy workout by Surman (Line Down) and a mercurial swinger from Motian (Once Around the Park). Adding to the wealth of quality material here are cuts by Frisell and Annette Peacock. Overcast and a bit icy as one might expect, but nevertheless Bley's Fragments makes for a consistently provocative and enjoyable listen. ~ Stephen Cook, All Music Guide

収録曲   

  • 01. Memories (07:26)
  • 02. Monica Jane (07:09)
  • 03. Line Down (07:17)
  • 04. Seven (05:44)
  • 05. Closer (05:08)
  • 06. Once Around the Park (06:40)
  • 07. Hand Dance (02:54)
  • 08. For the Love of Sarah (05:46)
  • 09. Nothing Ever Was, Anyway (06:01)

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人物・団体紹介

人物・団体ページへ

Paul Bley

Pianist Paul Bley, whose earliest recordings sound like Al Haig or Bud Powell, took the styles and techniques associated with Oscar Peterson, Wynton Kelly and Bill Evans to new levels of creative experimentation, becoming an indispensable force in modern music by combining the best elements in bop and early modern jazz with extended free improvisation and procedural dynamics often found in 20th ce

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Paul Bleyに関連する商品情報

  • ポール・ブレイ×アネット・ピーコック『Synthesizer Show』世界初CD化 鬼才ピアニスト/インプロヴァイザー、ポール・ブレイがアネット・ピーコックらと共に吹き込んだ3つの即興セッションをまとめたエクスペリメンタル傑作『The Paul Bley Synthesizer Show』が世界初CD化。 HMV&BOOKS online|2017年7月31日(月)
  • 【追悼】 ポール・ブレイ ビバップを出自とし、60年代からはフリージャズ、70〜80年代にはアヴァンギャルド、電子音楽の世界も追究。耽美なピアニズムを独自のロジックや革新的なスタイルの中で展開し続けてきた孤高のジャズ・ピアニスト、ポール・ブレイが、1月3日米フロリダ州の自宅で死去しました。享年83。心よりご冥福をお祈りいたします。 HMV&BOOKS online|2016年1月8日(金)

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