【中古:盤質A】 中世世俗歌曲＆舞曲集　ベッティーナ・ホフマン＆モード・アンティクオ(6CD)

中世世俗歌曲＆舞曲集(6CD)
ベッティーナ・ホフマン＆モード・アンティクオ

Additional information:
• This set is a combination of 3 colourful productions of Medieval music. All performed by the Italian ensemble Modo Antiquo, led by Bettina Hoffmann and specializing in early music. These musicians recently played the world premiere of Vivaldi’s opera Montezuma. They play on instruments with fantastic names like olifante, citola, tromba marina and hurdy-gurdy. Next to “ordinary” ones like recorders, lute, harp and harpsichord.
• To begin with there are the Carmina Burana: the “real thing” this time: 2 CD’s. Of course Carl Orff based his namesake work on some of these songs.
• Then there is a CD with French and English Medieval instrumental dances mainly from manuscripts kept in the British Library and the Bibliothèque National. To complete the set music for the Crusades is included. Much of it written by anonymous composers, some by people with fanciful names like Thibaut de Champagne and Le Chastelain de Couci.
• A set of early music offering the listener an “authentic sound” of a broad selection of instruments in a wide variety of repertoire
• Co-produced by WDR3.

CD 1
1. Ich was ein chint so wolgetan CB 185 4:00
2. Axe Phebus aureo CB 71 2:29
3. Bache bene venies CB 200 4:22
4. Dulce solum CB 119 9:41
5. In taberna quando sumus CB196 3:09
6. Veris dulcis in tempore CB 85 e 159 3:02
7. Alte clamat Epicurus CB 211 e 211° 5:02
8. Exiit dilucolo rustica puella CB 90 3:13
9. Olim sudor Herculis CB 63 9:36
10. Virent prata hiemata CB 151 3:38
11. Sic mea fata CB 116 6:18
12. Walthers ton (da CB 211) 1:10
13. Tempus transit gelidum (CB 153) 3:12

Total: 60:13

Modo Antiquo - Bettina Hoffmann, director
Elena Cecchi Fed soprano
Lucia Sciannimanico mezzosoprano
Paolo Fanciullacci tenor, zampogna, ciaramelle, olifante
Marco Scavazza bariton, olifante
Federico Maria Sardelli recorders, flauto di corno, flute, ciaramelle, voice
Ugo Galasso recorders, ciaramelle, bombarda, flauto da tamburo,flute, voice
Mauro Morini tromba da tirarsi, olifante
Anna Clemente organo portativo
Bettina Hoffmann viella, ribeca, tromba marina
Gian Luca Lastraioli citola, lute, voice
Daniele Poli harp, lute, hurdy-gurdy, salterio, voice
Luca Brunelli Felicetti drums, naccari, cembalo, bells, scacciapensieri
Massimo Risaliti percussion

CD 2
1. Bonus est confidere CB 27 2:32
2. Nomen a sollempnibus CB 52 3:46
3. Dic Christi veritas / Bulla fulminante CB 131/131 5:55
4. O varium fortune lubricum CB 14 4:54
5. Fas et nefas CB 19 3:01
6. Veritas veritatum CB 21 2:05
7. Currit ad vocem CB 47a 1:39
8. Crucifigat omnes CB 47 3:30
9. Procurans odium CB 12 1:44
10. Ave nobilis CB 11 7:00
11. Ecce torpet probitas CB 3 4:28
12. Planctus ante nescia CB 14 6:56
13. Licet ager cum egrotis CB 8 7:00
14. Celum non animum CB 15 4:14

Total: 60:18

Modo Antiquo - Bettina Hoffmann, director
Elena Cecchi Fedi soprano
Lucia Sciannimanico mezzosoprano
Paolo Fanciullacci tenor, zampogna, ciaramelle, olifante
Marco Scavazza bariton, olifante
Federico Maria Sardelli recorders, flauto di corno, flute, ciaramelle, voice
Ugo Galasso recorders, ciaramelle, bombarda, flauto da tamburo, flute, voice
Mauro Morini tromba da tirarsi, olifante
Anna Clemente organo portativo
Bettina Hoffmann viella, ribeca, tromba marina
Gian Luca Lastraioli citola, lute, voice
Daniele Poli harp, lute, hurdy-gurdy, salterio, voice
Luca Brunelli Felicetti drums, naccari, cembalo, bells, scacciapensieri
Massimo Risaliti percussion

CD 3
I. Appellatio
1. Crucifigat omnes (Carmina Burana 47) 2:39
2. Seignor, sachiez qui or ne s’en ira (Thibaut de Champagne) 6:56
3. La Quinte Estampie Real (Anon.) 3:12
4. Parti de mal et a bien atourné (Anon.) 5:14
5. Chevalier mult estes guariz (Anon.) 6:14
6. De transfretantibus (Anon.) 1:45
7. Au tans plain de felonie (Thibaut de Champagne) 3:44
II. Dure Departie
8. La Seconde Estampie Royal (Anon.) 2:01
9. Dame, ensinc est qu’il m’en covient aler (Thibaut de Champagne) 5:01
10. A vous, Amors, plus qu’a nule autre gent (Le Chastelain de Couci) 5:07
11. Li departirs de la douce contree (Chardon de Croisilles de Reims) 5:53
12. Li nouveax temps et maiz et violete (Le Chastelain de Couci) 7:44
13. Aler m’estuet la ou je trerai paine (Gilles le Vinier? - Le Chastelain d’Arras ?) 8:17

Total: 71:1