CD 輸入盤

In Carterian Fashion

James Carter (ジェームスカーター)

基本情報

ジャンル
:
カタログNo
:
2.83082
組み枚数
:
1
レーベル
:
オリジナル盤発売年
:
1998
フォーマット
:
CD
クレジット
:

Alvester Garnett(Drums),  Cassius Richmond(Sax (Alto)),  Craig Taborn(Organ),  Cyrus Chestnut(Organ),  Dwight Adams(Trumpet),  Henry Butler(Organ),  James Carter(Sax (Baritone)),  James Carter(Sax (Soprano)),  James Carter(Sax (Tenor)),  Jaribu Shahid(Bass),  Steve Kirby(Bass),  Tani Tabbal(Drums),  Craig Taborn(Organ (Hammond)),  Cyrus Chestnut(Organ (Hammond)),  Henry Butler(Organ (Hammond)),  James Carter(Clarinet (Bass)),  Danny Kopelson(Engineer),  Yves Beauvais(Producer),  Benjamin Niles(Design),  Dave Fisher(Mixing Assistant),  Heather McIntosh(Production Coordination),  Larry Freemantle(Artwork),  Norman Jean Roy(Photography),  Rory Romano(Assistant Engineer),  Ted Jensen(Mastering),  Tom Schick(Mixing),  Fred Kevorkian(Digital Editing),  Aya Takemura

商品説明

James Carter is the Arturo Sandoval of the reeds, a remarkable virtuoso who can seemingly do anything he wants on his horns. It is just a matter of passing time and accomplishments accumulating before Carter is thought of as one of the all-time greats. This particular CD, In Carterian Fashion, differs from his earlier ones in that Carter (who switches between tenor, soprano and baritone sax, and bass clarinet) is joined by one of three organists (Henry Butler, Cyrus Chestnut and his regular pianist Craig Taborn) instead of piano, which of course changes the sound of the ensembles. However, only a few of the songs come across as Jimmy Smith-style soul-jazz. Carter stretches from bluesy tunes to Don Byas' swinging mid-'40s romp Don's Idea, to some avant-garde explorations, and a few strong hints at Rahsaan Roland Kirk (particularly on the soprano feature Trouble in the World) and Eddie Lockjaw Davis. Trumpeter Dwight Adams sounds fine during his four appearances, particularly when trading off with Carter on Don's Idea, and altoist Cassius Richmond (who is on three of the trumpet pieces) is also excellent. However, the dominant voice throughout is James Carter's, who in general is a little more restrained, which makes his fiery explosions and colorful tonal distortions really stand out. Recommended. ~ Scott Yanow, Rovi

収録曲   

  • 01. Lianmo (04:55)
  • 02. Down To The River (04:04)
  • 03. Don's Idea (05:11)
  • 04. Skull Grabbin' (06:36)
  • 05. Odyssey (08:00)
  • 06. Trouble In The World (06:49)
  • 07. Escape From Bizarro World (06:03)
  • 08. Frisco Follies (06:43)
  • 09. Lockjaw's Lament (07:29)
  • 10. In Carterian Fashion (06:29)

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James Carter

After Wynton Marsalis, no one caused more of an uproar than James Carter did when he appeared on the New York jazz scene from his native Detroit. Carter's debut recording, JC on the Set, issued in Japan when he was only 23, and in the States a year later in 1993, was universally acclaimed as the finest debut by a saxophonist in decades. Critics lauded his ability to play in virtually any jazz styl

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