CD 輸入盤

Retrospective

Indigo Girls (インディゴガールズ)

基本情報

ジャンル
:
カタログNo
:
61602
組み枚数
:
1
レーベル
:
オリジナル盤発売年
:
2000
フォーマット
:
CD
クレジット
:

Amy Ray(Guitar),  Amy Ray(Guitar (Acoustic)),  Amy Ray(Guitar (Classical)),  Amy Ray(Guitar (Electric)),  Amy Ray(Vocals),  Blair Cunningham(Drums),  Carol Isaacs(Organ),  Carol Isaacs(Piano),  Chuck Leavell(Piano),  Claire Kenny(Bass),  Dallas Austin(Vocals),  De De Vogt(Bass),  Emily Saliers(Guitar),  Emily Saliers(Guitar),  Emily Saliers(Guitar (Acoustic)),  Emily Saliers(Guitar (Acoustic)),  Emily Saliers(Guitar (Electric)),  Emily Saliers(Guitar (Electric)),  Emily Saliers(Vocals),  Emily Saliers(Vocals),  Fiachna O'Braondin(Vocals),  Jai Winding(Piano),  Jay Dee Daugherty(Drums),  Jerry Marotta(Drums),  Jerry Marotta(Percussion),  Jerry Marotta(Piano),  Joan Osborne(Vocals),  John Jennings(Guitar (Electric)),  John Keane(Guitar (12 String)),  John Reynolds(Drums),  John Reynolds(Percussion),  Kenny Aronoff(Drums),  Kenny Aronoff(Percussion),  Liam O Maonlai(Vocals),  Lisa Germano(Violin),  Maggie Roche(Piano),  Michael Lorant(Vocals),  Michael Stipe(Vocals),  Paulinho Da Costa(Percussion),  Peter Holsapple(Keyboards),  ピーター・オトゥール(Vocals),  Sam "Shake" Anderson(Vocals),  Sara Lee(Bass),  Steve Earle(Vocals),  Talvin Singh(Percussion),  Amy Ray(Banjo),  Amy Ray(Handclapping),  Amy Ray(Mandolin),  Amy Ray(Vocals (Background)),  Bill Newton(Harmonica),  Carol Isaacs(Accordion),  Caroline Dale(Cello),  Dallas Austin(Vocals (Background)),  Danny Thompson(Bass (Acoustic)),  Emily Saliers(Handclapping),  Emily Saliers(Handclapping),  Emily Saliers(Mandolin),  Emily Saliers(Mandolin),  Fiachna O'Braondin(Vocals (Background)),  Jane Scarpantoni(Cello),  Jerry Marotta(Bongos),  Joan Osborne(Vocals (Background)),  JoEl Sonnier(Accordion),  John Painter(Accordion),  John Painter(Flugelhorn),  Liam O Maonlai(Vocals (Background)),  Lisa Germano(Fiddle),  Lisa Germano(Mandolin),  Luka Bloom(Vocals (Background)),  Maggie Roche(Vocals (Background)),  Michael Lorant(Vocals (Background)),  Michael Stipe(Vocals (Background)),  ピーター・オトゥール(Mandolin),  ピーター・オトゥール(Vocals (Background)),  Sam "Shake" Anderson(Vocals (Background)),  Sam Anderson(Vocals (Background)),  Simone Simonton(Cymbals),  Steve Earle(Harmonica),  Suzzy Roche(Vocals (Background)),  Terre Roche(Vocals (Background)),  Roches(Vocals (Background)),  Amy Ray(Bouzouki),  Carol Isaacs(Moog Bass),  Carol Isaacs(Moog Synthesizer),  Donal Lunny(Bodhran),  Donal Lunny(Bouzouki),  Emily Saliers(Bouzouki),  Emily Saliers(Bouzouki),  Fiachna O'Braondin(Tin Whistle),  Liam O Maonlai(Bodhran),  Lisa Germano(Penny Whistle),  Ronan Browne(Uillean Pipes),  Bill Newton(Chromatic Harmonica),  Emily Saliers(Guitar (12 String Electric)),  Emily Saliers(Guitar (12 String Electric)),  Jerry Marotta(Taos Drum),  John Keane(Guitar (12 String Electric)),  Malcolm Burn(Beat Box),  David Leonard(Producer),  Indigo Girls(Producer),  John Keane(Engineer),  John Keane(Producer),  John Reynolds(Producer),  マイケル・ケイメン(Arranger),  Peter Collins(Producer),  Scott Litt(Producer),  Tim Oliver(Engineer),  Amy Ray(Liner Notes),  Amy Ray(Photography),  Larry Ray(Photography),  Lee Walker(Photography),  マイケル・ケイメン(Conductor),  マイケル・ケイメン(String Arrangements),  Peter Buck(Photography),  Scott Hull(Mastering),  Steve Byram(Art Direction),  Susan Alzner(Photography),  Kris Anderson(Package Design),  Peter Collins(Original Recording Producer)

商品説明

The Indigo Girls' 1999 album Come on Now Social was their first commercial failure after six consecutive gold or platinum albums. The appearance of the duo's first domestic compilation a year later is an unavoidably ominous sign, as their label takes its profits while it can. But that's no reason not to celebrate Amy Ray and Emily Saliers' remarkable run of high-quality recordings dating back to 1987's Strange Fire. Most of the songs with which they are most readily identified are included, among them the two chart singles Closer to Fine and Galileo. (The only missing title that earned significant airplay is Hammer and a Nail.) Feminist author Susan Faludi properly contextualizes the Indigo Girls in her liner notes as a group that created an assertive, independent female response to the Reagan-Bush era. But that aspect of their work was always framed by the music itself, dominated by their interweaving acoustic guitars and voices, and the commitment with which they sang. That combination of substance and fervor characterized the Indigo Girls' work, even when their songwriting flagged occasionally or their sound became repetitive. Retrospective captures the highlights of their work from 1987 to 1999, but proceeding chronologically, it also traces the changes that may have hurt the duo commercially by the end. Gradually, their politics became more explicit, which always tends to splinter an audience (though, of course, their views were not secret to their many fervent fans). And in their search for different sounds, they sometimes subverted their basic two-voices, two-acoustic-guitars identity. It remains possible that the Indigo Girls will continue to score good, consistent sales, and the two new songs suggest that there's still creative fuel for this group to burn. But if they have crested, Retrospective confirms their status as one of the most accomplished recording units of their time. ~ William Ruhlmann, Rovi

収録曲   

  • 01. Strange Fire (05:29)
  • 02. Closer to Fine (04:01)
  • 03. Kid Fears (04:34)
  • 04. Watershed (05:45)
  • 05. Three Hits (03:09)
  • 06. Galileo (04:11)
  • 07. Ghost (05:15)
  • 08. Reunion (03:26)
  • 09. Power of Two (05:21)
  • 10. Least Complicated (04:10)
  • 11. Shame on You (04:01)
  • 12. Get Out the Map (03:24)
  • 13. Go (04:03)
  • 14. Trouble (04:50)
  • 15. Devotion - (previously unreleased) (03:33)
  • 16. Leaving - (previously unreleased) (04:24)

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主要な曲はだいたい網羅されているが、なぜ...

投稿日:2008/02/26 (火)

主要な曲はだいたい網羅されているが、なぜあの曲が無い?というのはベスト盤に対しては尽きないが… 未収録曲があるのはずるい…

つね さん | 川崎市 | 不明

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Indigo Girls

While they came into prominence as part of the late-'80s folky singer/songwriter revival, the Indigo Girls had staying power where other artists from the same era quickly faded. Their two-women-with-guitars formula may not have seemed very revolutionary on paper, but the combination of two distinct personalities and songwriting styles provided tension and an interesting balance. Emily Saliers, hai

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