Merlin

Halloween is an interesting French group that plays an elaborated and polished music, full of breaks and rhythm changes, with sumptuous instrumental developments. It is part from this trend of refined, lyrical, romantic and delicate Progressive rock. Now among the elders in the new generation, Halloween plays a dark, disturbing music with tense climates in the same vein as KING CRIMSON'S Larks' Tongues in Aspic, or Peter HAMMILL's procrastination in VAN DER GRAAF GENERATOR. Based on Jean-Philippe BRUN's fantastic violin rises and impressive keyboards parts, their music is built upon vibrating rises of tension which bring to an end made of sudden explosions. After two wonderful albums released in the late Eighties (Part One in 1988 and Laz in 1989), followed by a long silence, Merlin comes out in 1994, as a new concept album. Novelty is in season: A less dark music than before, less violent too, and more orchestrated. Halloween created a new kind of French theatral music.