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Live At The Abc Kingston 1962

Cliff Richard (クリフ リチャード)

基本情報

ジャンル
:
カタログNo
:
37342
組み枚数
:
1
レーベル
:
Emi
フォーマット
:
CD
クレジット
:

Brian Bennett(Drums),  Cliff Richard(Vocals),  Hank Marvin(Guitar),  Jet Harris(Guitar (Bass)),  Bruce Welch(Guitar (Rhythm)),  Ken Townsend(Engineer),  Malcolm Addey(Engineer),  Norrie Paramor(Producer),  Bobby Freeman(Composer),  Cliff Richard & the Shadows(Performer),  Frank Guida(Composer),  Gary Us Bonds(Composer),  Gene Barge(Composer),  Joseph Royster(Composer),  Nigel Goodall(Liner Notes),  Peter Gormley(Composer),  Peter Lewry(Liner Notes),  Phil Smee(Artwork),  Ray Charles(Composer),  Renald Richard(Composer),  Keith Bessey(Digital Remastering),  Nigel Goodall(Concept),  Nigel Goodall(Project Coordinator),  Nigel Goodall(Research),  Phil Smee(Package Design)

商品説明

When Cliff Richard and the Shadows toured Britain in 1962, they were by far the biggest band in the land, both riding on a string of massive hits and effortlessly selling out a 23-date outing. The decision to record a live album two-thirds of the way through the tour, then, was less an insightful attempt to preserve history as it happened than another way of prizing pennies from the grasp of Cliff Richard's so-loyal fan base. Of course, the album's eventual shelving ensured that it didn't quite turn out that way, and many observers probably will view it simply as an historical artifact. That, however, is only half of the story. First, forget all notions you might have about live recordings from the 1960s. The Cliff Richard Show: Live at the ABC Kingston is more or less flawless in that department; certainly it wipes the floor with the similar in-concert offerings from the Beatles, Elvis Presley, and the Rolling Stones. Secondly, disavow yourself of the popular notion that the once-rockin' Richard had softened his approach by 1962. He may have become an all-around family entertainer, but the show smokes. The first half of the disc, devoted to the Shadows' supporting slot, does show its age -- interspersed with the songs (classics one and all, of course), the band's on-stage patter and humor doesn't quite translate to the modern era. From the moment Richard appears on-stage, however, blasting into a blistering Do You Want to Dance, the energy level soars even as the years fall back. In the decades since this was recorded, many historians have pondered the singer's timeless appeal. The answer to their questioning is here. The recording is ancient, but the performance is fresh. Highlights: a medley of hits from The Young Ones movie; a clutch of songs that have never previously appeared on a Cliff Richard album, including a warmly humorous Roving' Gambler; and an audience singalong through When the Girl in Your Arms that is almost chilling in its purity and beauty. Wrap all this up in a deluxe seven-inch tri-fold sleeve, designed to replicate the EP jackets of the era, packed with bonus photographs and a replicate souvenir program, and The Cliff Richard Show emerges an absolutely essential purchase. ~ Dave Thompson, Rovi

収録曲   

  • 01. Marsh Intro/Apache/Shazam (02:08)
  • 02. Shadoogie (03:04)
  • 03. Wonderful Land (02:32)
  • 04. All My Sorrows (04:20)
  • 05. Quarter to Three (02:18)
  • 06. Nivram (03:35)
  • 07. Little "B" (06:43)
  • 08. F.B.I. (02:41)
  • 09. Tony Marsh Intro (00:47)
  • 10. Do You Wanna Dance (01:58)
  • 11. Dim Dim the Lights (02:00)
  • 12. My Blue Heaven (02:29)
  • 13. Razzle Dazzle (02:25)
  • 14. Rovin' Gambler (03:04)
  • 15. Save My Soul (02:05)
  • 16. When the Girl in Your Arms (02:42)
  • 17. I Got a Woman (04:00)
  • 18. Young Ones Medley: Lessons in Love/Got a Funny Feeling/The Young Ones (05:23)
  • 19. We Say Yeah (02:20)

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Cliff Richard

In the years after Elvis Presley but before the Beatles, Cliff Richard was the biggest thing in British rock & roll -- and in the years after the Beatles, he was never far from the top of the U.K. charts. Arriving in 1958, just a couple of years after skiffle swept across Britain, Richard was the first English singer to approximate the hip-shaking rebellion of American rock & roll with his 1958 de

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