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Composition N.247

Anthony Braxton (アンソニー ブラクストン)

基本情報

ジャンル
:
カタログNo
:
CDLR306
組み枚数
:
1
レーベル
:
Leo
フォーマット
:
CD
クレジット
:

Anthony Braxton(Sax (Alto)),  Anthony Braxton(Sax (Soprano)),  James Fei(Sax (Alto)),  James Fei(Sax (Soprano)),  James Fei(Clarinet (Bass)),  Matthew Welch(Bagpipes),  Anthony Braxton(Clarinet (Contrabass)),  Anthony Braxton(E Flat Clarinet),  Anthony Braxton(Flute (Soprano)),  Jon Rosenberg(Engineer),  Stan Wijnans(Engineer),  Anthony Braxton(Composer),  James Fei(Liner Notes),  Lora Denis(Artwork)

商品説明

Composition N. 247 (which makes up the whole duration of this CD) is part of Anthony Braxton's Ghost Trance Music series. An untypical gesture, this one is scored for a specific instrumentation of two reeds and bagpipes. The latter, performed by Matthew Welch, gives the piece a highly unusual sound (the place of bagpipes in creative music is close to nil). Another difference from most of the other GTM compositions resides in the fact that the string of eighth notes serving as the looped motif also includes occasional rhythmically complex figures (such as 16th notes quintuplets), which disrupt the steady march of the piece. One final novelty: The piece uses only nine notes -- the ones available on the bagpipes. All this being said, the resulting piece makes one huge hour-long marathon involving constant circular breathing and a complex system of cues, shifts, and bouncing between pages. It leaves the listener, who does not have the score to follow its intricate subtleties, exhausted and perplexed. The drone of the bagpipes opens interesting polyphonies and the cycling repeated motifs create an hallucinogenic state of mind, but most listeners will prefer to push the stop button before they reach the end. And one can hardly blame them. James Fei's liner notes bring shed some light on the piece. ~ Francois Couture, Rovi

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  • 01. Composition N. 247

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Anthony Braxton

Prolific multi-reedist/composer Anthony Braxton is an immensely influential jazz artist who has covered just about every conceivable area of creativity during the course of his extraordinary career. Beginning with jazz's essential rhythmic and textural elements, Braxton combines them with all manner of experimental compositional techniques, from graphic and non-specific notation to serialism and m

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