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Evita -Soundtrack

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基本情報

ジャンル
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カタログNo
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DMCX503
組み枚数
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2
レーベル
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フォーマット
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CD
クレジット
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Hershy Kay(Percus),  マンディ・パティンキン(Chalemie),  Abe Jacob(Engineer),  Andrew Lloyd Webber(Producer),  Tim Rice(Producer),  Andrew Lloyd Webber(Orchestration),  ボブ・ガントン(Performer),  David Smith(Remixing),  George Osaki(Art Direction),  Harold Prince(Director),  マンディ・パティンキン(Performer),  Martha Swope(Photography),  Patti LuPone(Performer),  Peter Neufeld(Executive Producer),  R. Tyler Gatchell, Jr.(Executive Producer),  Rene Wiegert(Conductor),  Rene Wiegert(Director),  Rod Dyer(Design),  Ron Slenzak(Photography),  Tobrina Vanbuskirk(Conductor),  Larry Fuller(Choreographer),  Anny DeGange,  ボブ・ガントン,  Brad Witsger,  David Hersey(Lighting),  David Sacks,  David Staller,  Jack Neubeck,  John Leslie Wolfe,  John Yost,  マンディ・パティンキン,  Mark Syers,  Mark Waldrop,  Matthew McKeon,  Nancy Opel,  Nancy Wood,  Patricia Gorman,  Patti LuPone,  Peppi Borza,  Peter Marinos,  Phillip Tracy,  Sandra Wheeler,  Susan Terry,  Terri Klausner

商品説明

Tim Rice and Andrew Lloyd Webber's Evita, which began as a concept album in 1976 and had its first stage incarnation in London in 1978, finally came to the U.S. in 1979 with a production that opened in Los Angeles and moved to San Francisco for multi-week engagements before landing on Broadway on September 25 to begin a Tony-winning, 1,568-performance run. The London production had been represented by a one-disc highlights album, but this one became the second full-length treatment, running, like the concept album, 100 minutes. As such, the revisions made for the stage were more apparent, especially because there were more of them than there had been in London, sometimes to Americanize the language. (The back of beyond in Eva and Magaldi became the sticks, while Get stuffed! in Goodnight and Thank You was now Up yours!) The Lady's Got Potential had been deleted, and there was a new song, The Art of the Possible, which, with its musical-chairs staging, was more effective in the theater than on record. And Dangerous Jade had been revised to become Peron's Latest Flame. Many of the changes built up the role of Evita's critic, Che. As played by Mandy Patinkin, who achieved Broadway stardom in the role, Che now rivaled Evita as a musical presence, the actor's elastic tenor and bravura manner drawing more attention to him. But Patti Lu Pone also became a star here, fearlessly bringing out Evita's strident self-interest without attempting to gain the audience's sympathy. (You couldn't say that about London's Elaine Paige.) Lu Pone was at her best when Evita was at her worst, such as in the songs A New Argentina and Rainbow High. The rest of the cast was unexceptional, though Bob Gunton's Juan Peron inspired curiosity as the only actor to use a Spanish accent. ~ William Ruhlmann, Rovi

収録曲   

ディスク   1

  • 01. Cinema in Buenos Aires, 26 July 1952 (01:02)
  • 02. Requiem for Evita/Oh What a Circus (09:11)
  • 03. On This Night of a Thousand Stars/Eva and Macaldi/Eva Beware of the C (07:37)
  • 04. Buenos Aires (04:50)
  • 05. Goodnight and Thank You (03:06)
  • 06. Art of the Possible (02:40)
  • 07. Charity Concert/I'd Be Surprisingly Good for You (05:57)
  • 08. Another Suitcase in Another Hall (04:42)
  • 09. Peron's Latest Flame (04:25)
  • 10. New Argentina (06:57)

ディスク   2

  • 01. On the Balcony of the Casa Rosada/Don't Cry for Me Argentina (09:32)
  • 02. High Flying, Adored (03:45)
  • 03. Rainbow High (02:16)
  • 04. Rainbow Tour (04:47)
  • 05. Actress Hasn't Learned the Lines (You'd Like to Hear) (02:20)
  • 06. And the Money Kept Rolling (In and Out) (04:19)
  • 07. Santa Evita (02:01)
  • 08. Waltz for Eva and Che (03:44)
  • 09. She Is a Diamond (03:09)
  • 10. Dice Are Rolling (05:06)
  • 11. Eva's Final Broadcast (03:09)
  • 12. Montage (02:40)
  • 13. Lament (02:49)

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